British Theatre

Jules Kingham

THE BAD NEWS

I am now nailing home my "negative" badge and hope that some of you will forgive me, but anyone who knows me well will tell you that speaking my mind (there are one or two exceptional circumstances) is all part of my persona. An actress friend who had walked the usual path to the profession, (Guilford drama school, agent, agent changes, TV commercials, TV speaking roles. Theatre tours etc. etc.) once told me the 'bad news'. She said that these days there is a "hierarchy" in the acting world that goes like this. Top of the ladder is a small elite group of well known actors whose agents receive the best casting breakdowns for lead roles. These performers do not audition, they just accept or reject offers. Next down the greasy pole are important supporting roles and almost the same procedure applies. Then there are actors who work constantly and whose agents receive still prestigious castings and can send their clients to audition for small speaking roles in high profile shows etc. The next foothole downwards are actors whose agents get sufficient breakdowns to get them a reasonalble amount of auditions for non speaking roles in high profile stuff or alternatively get them enough castings to enable them to work quite a lot on tours or West End chorus lines etc. Next in the descention are actors who have established enough contacts and have worked enough to be known in some circles to get auditions for fringe shows and tours. This means that their CV's look good enough to actually get seen if nothing else. Now we've reached the bottom of the pit. The simple reason actors find themselves in this very dark place is that they haven't managed to obtain the criteria needed to be at any of the above levels if that makes sense. Not only is it a "chicken and egg", "Catch 22" scenario, but if you look around at the 'sheer weight of traffic' in our profession, ie. the increase of so-called Drama Schools offering stardom to young students each year and the young hopefuls (not to mention the old ones who STILL haven't made it) going after EVERY role, no matter how small, poorly/NOT paid, etc. If you take into account the dreaded "Reality Shows" which provide instant fame to members of the public, who can then miraculously become performers on TV or in the theatre because the powers that be know that there is money to be made by having a 'named' celebrity in their show. Meanwhile, those of us who are trained, who genuinely long to perform and have talent, are left with a struggle that is so daunting that only the strongest can muster the will to keep trying. WHEW! As you can see I am not in a good place right now where work is concerned, even though I am cast in a play for a "Community Theatre" company (for no pay of course). But I absolutely know that I am one of very very many. Please do NOT tell me I am a pessimist, a "glass half empty" merchant. I absolutely know that this is the REALITY of the situation. Many times I wonder what to do - I ask myself if I can stand much more of not even getting auditions for the hundreds of castings I submit for. The only reason I don't give up is that there is nothing in this world I want to do more than perform. But the dilema and disappointment seems permanent. I don't need therapy! I don't need ANY remarks about not trying hard enough, about not selling myself well enough. The truth is that as my actress friend put it "for some actors, it doesn't matter what they do, they will not be able to rise to the next level." That is a hard pill to swallow!!!

Reply to This

Replies to This Discussion

"I am seriously considering starting my own theatre/film company, one that actually gives unknown's a chance, and that includes, writers, directors, producers and all ancilliary workers who maybe don't have a lot of CV content."

Jules - why don't you do it?
Make your own work...
You will have to deal with the Arts Council but hey, it'll be better than sitting in the pit......
At least you'll be pro-active.
This hierarchy has been there for ever and it isn't going to go away.
Dream up a project and go for it.
Good luck

Reply to This

Bless you. Of course you are right, it is the only way. BUT, I am very much a people person and more than that, although I can be extremely creative with ideas and writing when there is incentive, I must admit I prefer the responsibility of setting such things up to be born by other people. Performing is what I want to do and if you do start a theatre/film company, bear me in mind!

Reply to This

RSS

British Theatre is a social networking site for theatre people. Meet, exchange ideas, recommend and realise creative partnerships.

Promoting Your Stuff

To promote your stuff on BritishTheatre.com use the 'blog' on your profile page. The latest blog entries appear on the home page. Use the Forums for debates, moans and questions.

Latest Activity

Kath Perry Kath Perry joined British Theatre. Leave a Comment for Kath Perry. 2 hours ago
Laura Laura joined British Theatre. Leave a Comment for Laura. 4 hours ago
Eric Storm Eric Storm added a video: Viva La Vida 8 hours ago
Viva La Vida
Ten in a Bed Theatre and john herriman are now friends9 hours ago
Ten in a Bed Theatre john herriman
Ten in a Bed Theatre and Margz are now friends9 hours ago
Ten in a Bed Theatre Margz
Jules Kingham Jules Kingham replied to the discussion The price of desperation 1 day ago
Louisa-Mai Parker Louisa-Mai Parker left a comment for Hazel Earle Oct 8
Hazel Earle Hazel Earle left a comment for Louisa-Mai Parker Oct 8
Hazel Earle Hazel Earle left a comment for Louisa-Mai Parker Oct 8
Liane-Rose Bunce Liane-Rose Bunce joined British Theatre. Leave a Comment for Liane-Rose Bunce. Oct 7
DivianL DivianL added the blog post 'FLUXX presents ... Toast'Oct 7
Andrew Robb and Nathan Keates are now friendsOct 7
Andrew Robb Nathan Keates
Zoe Hinks Zoe Hinks replied to the discussion The price of desperation Oct 6
Zoe Hinks Zoe Hinks added the blog post 'What all the Rabbits are Doing'Oct 6
Zoe Hinks Zoe Hinks joined British Theatre. Leave a Comment for Zoe Hinks. Oct 6
Phil Fox and Paul Bamlett are now friendsOct 6
Phil Fox Paul Bamlett


Improvisation for Actors - weekly drop-in workshops - London N.1.

London's professional play-reading forum for actors & writers.

The definitive record of Britain's fringe theatre.

"Stay informed about the latest arts jobs and arts news at www.artshub.co.uk"

British Theatre Badge

© 2008   Created by Marcus Markou

Badges  |  Report an Issue  |  Privacy  |  Terms of Service