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REVIEW: The Red, Pleasance Dome, Edinburgh Fringe ✭✭✭
Home News & Reviews Review REVIEW: The Red, Pleasance Dome, Edinburgh Fringe ✭✭✭
Review 16 August 2019 · 1 min read · 297 words

REVIEW: The Red, Pleasance Dome, Edinburgh Fringe ✭✭✭

Mark Ludmon reviews The Red now playing at the Pleasance Dome as part of the Edinburgh Fringe 2019.

Edinburgh FringeEdinburgh Fringe ReviewsPleasance DomeThe Red

Mark Ludmon reviews The Red now playing at the Pleasance Dome as part of the Edinburgh Fringe 2019.

The Red Pleasance Dome, Edinburgh Fringe

Three stars

Book Tickets

Comedian Marcus Brigstocke won a BBC Audio Drama Award last year for his radio play, The Red. Inspired by his own experiences of alcoholism, it is a moving two-hander about a recovering alcoholic and his relationship with his wine-loving father. Now, after 13 years of performing stand-up at Edinburgh Fringe, Brigstocke has brought his debut play to the stage at Pleasance Dome.

It opens on 41-year-old Benedict alone in the extensive wine cellar of his father, John, who has died leaving a difficult final request. He wants his son - sober for 25 years - to toast his memory with a glass of a 1978 Château Lafite Rothschild red wine that was set aside long ago for the pair to enjoy together. As Benedict deliberates over what to do, his father joins him as if still alive, having the conversation they might have had before his death.

Directed by Brigstocke himself, it is a gentle, poignant dialogue sprinkled with humour, examining what it means to suffer from alcoholism - a “sleeping tiger” waiting to be woken up. While it touches on Benedict’s experiences of addiction and rehab, and how it affected his relationship with his father, it steers clear of any substantial sense of the illness’s devastating impact.

Adding another layer to this stage version, Benedict and John are played in two strong, low-key performances by Sam Alexander and his real-life father, Bruce Alexander. Alex Marker has designed a detailed well-stocked wine cellar but, while the play still has power to move, this new production has added little to take it beyond its audio roots.

Running to 26 August 2019

Mark Ludmon
Mark Ludmon

Mark Ludmon has been a journalist for over 20 years, specialising in writing about theatre and the arts as well as bars, pubs and drink. He has been on the theatre judging panel for London’s Olivier Awards and has a masters degree in English literature, specialising in Elizabethan and Jacobean drama. He has an MA in theatre research, criticism and dramaturgy from the University of London’s Royal Central School of Speech & Drama. You can find him tweeting about theatre as @MarkLudmon and writing about theatre at markludmon.com.

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