Contributor, British Theatre
Matthew Lunn graduated with an MA in Romantic and Victorian Literary Studies in 2012, and has a particular interest in the writings of John Keats and Percy Bysshe Shelley. He has been with British Theatre since August 2015, and is still spellbound by all the wonderful theatre that London has to offer. By day, he works in the transport sector, and is a regular contributor to CHESS magazine.
Review
The Globe’s A Midsummer Night’s Dream is a joyously unsubtle production of one of Shakespeare’s comic classics. Whilst some of its quirks will bother the pur…
Matthew Lunn
News & Reviews
Review
Matthew Lunn reviews The Lady Vanishes at Richmond Theatre where it is playing as pasrt of its UK Tour
Matthew Lunn
News & Reviews
Review
Matthew Lunn reviews Seussical the musical now playing at the Southwark Playhouse London.
Matthew Lunn
News & Reviews
Review
Matthew Lunn reviews Hadestown, a new musical by Anais Mitchell now playing at the National Theatre.
Matthew Lunn
News & Reviews
Review
Matthew Lunn reviews Nina Raine's Stories now playing in the Dorfman Theatre at the National Theatre.
Matthew Lunn
News & Reviews
Review
Matthew Lunn reviews Verdi's La Traviata now playing at the King's Head Theatre.
Matthew Lunn
News & Reviews
Review
Matthew Lunn reviews Still Alice based on Lisa Genova's novel starring Sharon Small at Richmond Theatre as part of its UK Tour.
Matthew Lunn
News & Reviews
Review
Queen Anne offers an insightful and commendably believable depiction of the reign of one of England’s lesser known monarchs, and her complex relationship wit…
Matthew Lunn
News & Reviews
Review
While everyone should enjoy Ink, I am sure that many people who are more discerning than I am will find it spectacular.
Matthew Lunn
News & Reviews
Review
Sand in the Sandwiches is absolutely delightful, a one man play in which Sir John Betjeman – a remarkable performance by Edward Fox – looks back on his life …
Matthew Lunn
News & Reviews
Review
This Is Not Culturally Significant is an arresting and thought provoking play, performed entirely in the nude by Adam Scott-Rowley. Once you get over this – …
Matthew Lunn
News & Reviews