Misc
Sister Act 2020 - Is age really but a number?
Ray Rackham looks at age appropriate casting in musicals and wonders if age isn't now trumped by talent or are audiences buying into the age changes.
R
Ray Rackham
News & Reviews
Appropriate
About the show
Appropriate is currently listed as an ended production in the British Theatre archive.
Appropriate is preserved in the British Theatre archive as a historical production.
British Theatre has 1 verified archive reference for this title.
British Theatre coverage for this title is dated 25 August 2019.
Cancellation policy: theatre tickets cannot be cancelled, exchanged, or refunded once purchased.
Related articles
Review
REVIEW: Appropriate, Donmar Warehouse ✭✭✭✭
Sophie Adnitt reviews Appropriate by Branden Jacon-Jenkins now playing at the Donmar Warehouse, London.
Sophie Adnitt
News & Reviews
News
REVIEW: Adler and Gibb, Summerhall - Edinburgh Festival ✭✭✭✭
Challenging and intellectual, performed by a disciplined ensemble, this is what fringe theatre should be. You will either love it or hate it, but it is so worth seeing. It may not be appropriate to call a play bat shit crazy brilliant- but it is!
Paul T Davies
News & Reviews
News
REVIEW: Asking Rembrandt, Old Red Lion Theatre ✭✭✭✭✭
There is not much room for manoeuvre upstairs at the Old Red Lion, but the creative team, led by director Jonathan Kemp, have put together a flexible and well dressed set that provides a richly textured backdrop for the play, full of relevant artistic clutter and debris and gorgeous fabrics – self-consciously theatrical in a way that is entirely appropriate for the paintings from this period in Rembrandt’s life. The intimate atmosphere and finely calibrated acting draws you into the relationships and the issues very quickly, and as a result we have a properly tough-minded, and warm-hearted night at the theatre. The play runs until mid-July and is rewarding in every respect. And you may never think of gloves in quite the same way ever again….
Tim Hochstrasser
News & Reviews
News
REVIEW: Love's Labour's Won, Royal Shakespeare Theatre ✭✭✭✭
Christopher Luscombe's very funny version of the Beatrice/Benedick show complete with magnificent, period set (Simon Highlett), some fabulous costumes, Nigel Hess' delightful music and Jenny Arnold's joyful movement. Setting the play in the post-World War 1 period works nicely; the sense of changing times is entirely appropriate. It's a gentle but frisky time and you can almost hear the approach of the flappers.
S
Stephen Collins
News & Reviews
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Appropriate