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REVIEW: Anything Goes, Upstairs At The Gatehouse ✭✭✭✭
Home News & Reviews REVIEW: Anything Goes, Upstairs At The Gatehouse ✭✭✭✭
22 December 2016 · 2 min read · 531 words

REVIEW: Anything Goes, Upstairs At The Gatehouse ✭✭✭✭

This is a show well worth watching, at a venue that is becoming a byword for fun and vibrant festive musicals. Check it out before it goes!

Anything GoesChloe Adele EdwardsChris WhittakerCole PorterDan GloverDavid Pendlebury

The cast of Anything Goes. Photo: Darren Bell Anything Goes

Upstairs at the Gatehouse

20th December 2016

4 Stars

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After the success of last year’s Legally Blonde, the space above the Gatehouse pub is achieving a formidable reputation for Christmas musicals.

This year’s production of 1930s classic Anything Goes looks set to boost that even further. The show is an inspired choice for a bit of festive escapism; the plot is daft and requires considerable suspension of disbelief but the script is excellent, as is Cole Porter’s memorable score.

This show has produced a lot of songs that are famous in their own right (I Get a Kick Out of You, Let’s Misbehave and the titular Anything Goes); and they all sounded fantastic thanks to Dan Glover’s band and orchestrations. Musical theatre purists will also notice that this is the more rarely performed 1962 version, meaning audiences will get to sample some lesser-known Porter tunes.

David Pendlebury, Jack Keane and Taryn Erickson. Photo: Darren Bell

The tale is set aboard the ocean liner S. S. American, where famous singer Reno Sweeney is travelling from New York to England. Her pal Billy Crocker has stowed away to try and charm his crush, Hope Harcourt. However, unfortunately for him she is engaged to the wealthy Lord Evelyn Oakleigh.

It is primarily a song and dance show and the stunning choreography of Chris Whittaker is vital in bringing it to life.  There was a very high standard of dancing across the board, especially when they had to perform some complex tap routines in a very small space.

It is a superb cast, headed up by strong performances from Taryn Erickson (in her UK debut) as Reno and Samantha Dorsey (one of my favourite Cosettes during her time in Les Mis) as Hope. However, Jack McCann’s Billy didn’t quite do it for me; his voice never fully matched the powerhouse females, although his acting and dancing were both very good.

Jack McCann, Taryn Erickson and David Pendlebury in Anything Goes. Photo: Darren Bell

This is an extremely funny show, although some of the ‘disguise’ scenes seem a bit old hat these days. The finest comic performance comes from Jack Keane as the kind and foppish Sir Evelyn. He is a wonderful physical comic (a scene of him simply running around the stage had the audience in stitches) but he also made a likeable character out of what could have been a thinly drawn stereotype.

Similarly, David Pendelbury as Moonface Martin and Chloe Adele Edwards as Bonnie made for an entertaining pair of comedy gangsters, with Edwards making great work of the solo numbers that are often culled from modern revivals of this show.

The small space is used to maximum effect, with a traverse stage supported by a ship deck to provide an additional dimension.  Harriet Fowler’s costumes are as fun and jazzy as the music, with some eye-catching period designs adding to the sense of glamour.

This is a show well worth watching, at a venue that is becoming a byword for fun and vibrant festive musicals.  Check it out before it goes!

Until 29th January 2017

BOOK TICKETS FOR ANYTHING GOES

Danny Coleman-Cooke
Danny Coleman-Cooke

Danny Coleman-Cooke is an experienced writer, who covers news, sport and comedy for high-profile personalities and broadcasters. His speeches and scripts can be seen on stage, on primetime TV and in Parliament, broadcast to wide and diverse audiences. His experience includes writing for the BBC’s Have I Got News for You, Channel 4’s Paralympics coverage, and the Premier League’s live match commentary. He has also managed social media accounts for a number of major brands, including Tesco, The Guardian and the BBC. He's also a well-established speechwriter, scriptwriter and copywriter and has written for a wide range of famous faces in the world of politics and entertainment. He recently had his first theatrical credit, as co-writer of a musical adaptation of Beowulf, which toured the Midlands and was performed at the Royal Albert Hall. Danny is a huge theatre fan and was part of the writing team for the 2015 and 2016 Olivier Awards.

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