Theatre News & Reviews: 2016
British Theatre articles from 2016 — news, reviews, interviews, and guides from the London theatre scene.
Browse 717 articles published in 2016.
News
REVIEW: A Christmas Carol, Lost Theatre
Suffice it to say that the whole was appreciated by the local audience, who brought with them to the theatre their loyal appreciation and good nature.
Julian Eaves
News & Reviews
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REVIEW: The Crumple Zone, Clapham Omnibus ✭✭✭✭
Make sure you see it! Your endorphins will thank you forever. As for Buddy Thomas, I suspect we in the UK are going to hear much more from him.
Julian Eaves
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REVIEW: The Children, Royal Court Theatre ✭✭✭✭
The Children is a thought-provoking play that entertains while presenting us with a dilemma about the responsibilities we all have to face.
Mark Ludmon
News & Reviews
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REVIEW: Anything Goes, Upstairs At The Gatehouse ✭✭✭✭
This is a show well worth watching, at a venue that is becoming a byword for fun and vibrant festive musicals. Check it out before it goes!
Danny Coleman-Cooke
News & Reviews
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REVIEW: Mary Stuart, Almeida Theatre ✭✭✭✭✭
This production brings out Schiller's themes in a compelling and lucid way while also being an exciting political thriller and a very personal drama about two women trapped by forces greater than themselves.
Mark Ludmon
News & Reviews
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REVIEW: Cinderella, London Palladium ✭✭✭
All in all, this is about as spectacular and over the top as pantomime should ever get. You certainly saw every penny of your ticket price on stage and the audience loved it, for me, I just wanted a bit less innuendo and a bit more family entertainment.
Douglas Mayo
News & Reviews
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REVIEW: Sinbad The Sailor, Theatre Royal Stratford East ✭✭✭
Some people attending probably only ever go to the theatre to see the Christmas panto, and this certainly doesn’t disappoint. Some attending may even by inspired to go and read up on the beautiful stories whence the title figure springs. And some will merely be grateful that this provides two and a half hours in which they do not have to try to entertain their children: the show will do that for them.
Julian Eaves
News & Reviews
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REVIEW: Love's Labour's Lost and Much Ado About Nothing, Haymarket Theatre Royal ✭✭✭✭✭
Despite the downbeat ending to Love's Labour's Lost and the troubles over Claudio and Hero's wedding in Much Ado About Nothing, the two plays are very funny and thoroughly entertaining, whether enjoyed singly or, ideally, seen together.
Mark Ludmon
News & Reviews
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REVIEW: Rent, St James Theatre (On Tour) ✭✭✭✭✭
As I write this, I am envious of those who are yet to see this brilliant 20th-anniversary production which offers unparalleled, penetrating rawness, performed by a modest cast who surrender their souls to the book, score and to the broken New York artists whose stories they tell.
Alexa Terry
News & Reviews
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REVIEW: Kiki's Delivery Service, Southwark Playhouse ✭✭✭
Once again, Southwark Playhouse’s in-house Christmas offering takes us into new territory for the festive season, providing another alternative to the usual panto tropes.
Julian Eaves
News & Reviews
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REVIEW: Soho Cinders, Union Theatre ✭✭✭✭
While we may have no actual glass slippers or fairy godmother, this is a magical production full of laugh-out-loud humour and delightful songs - enough to satisfy the most demanding of the musical's fans.
Mark Ludmon
News & Reviews
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Further Casting Announced For Angels In America At The National
The National Theatre has announced further casting for the 25th-anniversary production of Angels In America which is to be presented from 11 April 2017.
Editorial Staff
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REVIEW: Hedda Gabler, National Theatre ✭✭✭✭
Van Hove’s production is never less than interesting, creating memorable stage pictures, and containing powerful, committed, acting from the ensemble.
Paul T Davies
News & Reviews
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REVIEW: Dreamgirls, Savoy Theatre ✭✭✭✭✭
After 30 years of waiting, Dreamgirls has arrived in London. The months of eager anticipation are over and tonight Amber Riley and the cast of this incredible musical blew the roof off London's Savoy Theatre.
Douglas Mayo
News & Reviews
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REVIEW: Dick Whittington, New Wimbledon Theatre ✭✭✭✭✭
Take your whole family to this wonderful evening at the theatre. Indulge in two hours of ripping humour and great performances.
Douglas Mayo
News & Reviews
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REVIEW: Muted, The Bunker ✭✭✭
The writers seemed to have found a mine of energy and vitality in a story of everyday tragedy, of the kind that litters the pages of The Evening Standard every day.
Julian Eaves
News & Reviews
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REVIEW: Nice Fish, Harold Pinter Theatre ✭✭✭✭
The piece may not be ground breaking nor revolutionary, but it is hugely entertaining.
Richard Earl
News & Reviews
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REVIEW: The Screwtape Letters, Park Theatre ✭✭✭
The joy of the play and the original text comes from the inverted morality of Screwtape's world, where good is bad and sinning is applauded.
Mark Ludmon
News & Reviews
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Casting Announced For Death Takes A Holiday at Charing Cross Theatre
Editorial Staff
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REVIEW: She Loves Me, Menier Chocolate Factory ✭✭✭
As for this show, it’s all rather pretty and well-behaved and won’t do you any harm. Nothing to be ashamed of.
Julian Eaves
News & Reviews
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UPCOMING: Summer Street, Old Red Lion Theatre
Wonderfully melodic, strongly rhythmic and engagingly structured, the musical numbers in this score are its greatest glory.
Julian Eaves
News & Reviews
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UPCOMING: The Unblinding
This work combines an App-based animated graphic novel with audio and music and is launched direct to individual phones/tablets (the PC-friendly platform will appear later).
Julian Eaves
News & Reviews
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REVIEW: Thebes Land, Arcola Theatre ✭✭✭✭✭
It cleverly blurs the line between reality and what we are seeing on stage in a way that is unsettling and leaves you questioning the theatrical experience itself.
Mark Ludmon
News & Reviews
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REVIEW: Giles Terera and Friends, The Pheasantry ✭✭✭✭✭
By the time everyone trooped back onto the stage for the group curtain call, we all knew we’d been through something special. And for all of you who missed him this time around, keep ‘em peeled: he’ll be back!
Julian Eaves
News & Reviews
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REVIEW: Licensed To Ill, Southwark Playhouse ✭✭✭
This is a play which is going somewhere, and it could be going somewhere really, really big, but right now it's a boy who is old enough to smell but not yet old enough to shave. It needs more development before it will become really attractive.
Julian Eaves
News & Reviews
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REVIEW: Jest End, Waterloo East Theatre ✭✭✭✭
Jest End returns to Waterloo East with a new, updated show which takes all the musicals you know and love, and tears them to pieces.
Sophie Adnitt
News & Reviews
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REVIEW: Her Aching Heart, Hope Theatre ✭✭
As harmless, seasonal larking about goes, this show is an undemanding couple of hours: if you go to it with an abundant admiration of the author and/or subject matter, you may have your enthusiasm rewarded. If not, prepare to encounter problems.
Julian Eaves
News & Reviews
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REVIEW: Peter Pan, National Theatre ✭✭✭✭
It's a wonderful production that will delight audiences of all ages and had all of us clapping to show that we really do believe in fairies.
Douglas Mayo
News & Reviews
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REVIEW: Pride And Prejudice, Jermyn Street Theatre ✭✭✭✭
This is an accomplished show, capturing the spirit and social comedy of Austen with added humour from the multiple casting. It has come to the Jermyn Street Theatre at the end of a successful UK tour.
Mark Ludmon
News & Reviews
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REVIEW: Sinbad - The Rock 'N' Roll Panto, New Wolsey Theatre ✭✭✭✭
The Wolsey hold the record for the longest running pantomime in the UK, so you’ve plenty of time to go up the gang plank to the Saucy Sausage; it’s a ride you will thoroughly enjoy!
Paul T Davies
News & Reviews
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REVIEW: Disaster, Charing Cross Theatre ✭✭✭✭✭
There is no doubt in my mind that Disaster! has everything needed to be a success in the West End. Judging from the audience reaction I would have thought it might already be on the cards!
Douglas Mayo
News & Reviews
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Rufus Hound Hosts Twelve Musical Theatre Stars At Actor's Church
Editorial Staff
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REVIEW: Catch Me, Above The Arts Theatre ✭✭✭
I came away from the performance greatly impressed by the technical achievement in constructing an ingenious chamber musical with the material, but rather in the dark about what reasons had driven it along.
Julian Eaves
News & Reviews
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REVIEW: The Mirror Never Lies, Cockpit Theatre ✭✭✭
As with that show, it is only possible to ‘warm’ to the characters (and we have to take their side one way or another) if they can charm us. At present, the songs do that aplenty.
Julian Eaves
News & Reviews
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REVIEW: Princess, LOST Theatre ✭✭✭
It’s huge fun, and races past in barely over an hour, hitting many more pleasure-spots than lulls.
Julian Eaves
News & Reviews
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An Experiment In Musical Theatre
Hannah Elsy met Julian Eaves to discuss why she set up The Lowdown, the only public scratch night exclusively for new musical theatre in London.
Julian Eaves
News & Reviews
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REVIEW: School Of Rock, New London Theatre ✭✭✭✭
School of Rock is a triumph. It looks set for a decent run at the New London Theatre. Only time will tell if it will match the run of the Lord's mega-hit Cats.
Douglas Mayo
News & Reviews
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The Boys In The Band Transfers To Vaudeville Theatre in February 2017
Douglas Mayo
News & Reviews
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REVIEW: Half A Sixpence, Noel Coward Theatre ✭✭✭✭
All in all, this collaboration between the Chichester Festival Theatre and Cameron Mackintosh is a splendidly handsome revival of a much-loved classic story, offering a fresh look at one of the greatest British musical scores ever written, and incorporating a lot of fine new writing by some of the most experienced creatives in the industry. It's a delight.
Julian Eaves
News & Reviews
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REVIEW: It Is Easy To Be Dead, Trafalgar Studios 2 ✭✭✭✭✭
Lively, animated, emotional, real, Knox takes the writings of Sorley and brings them wondrously to live with a zeal that is astounding.
Douglas Mayo
News & Reviews
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Jesus Christ Superstar Recieves Encore Season at Regents Park
Following a critically acclaimed sell-out season this year at Regent's Park Open Air Theatre, Jesus Christ Superstar will return in Summer 2017 for a limited season of 41 performances.
Editorial Staff
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REVIEW: Michael Ball and Alfie Boe - Together, Decca Records CD ✭✭✭✭✭
There is little doubt in my mind that both Michael Ball and Alfie Boe are kings when it comes to their interpretations of this type of material, that being said there is but one word for this album - Majestic!
Douglas Mayo
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REVIEW: Cathy, Mercury Theatre Colchester ✭✭✭✭
It’s a powerful verbatim piece, linked by voice over’s and images of actual cases, people made homeless through no fault of their own, but falling victim to the greed of landlords and lack of social housing.
Paul T Davies
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REVIEW: Tonight With Donny Stixx, The Bunker ✭✭✭✭✭
This is about as perfect a production of Philip Ridley's scary monodrama - a kind of 'The Events', except with loads more jokes, and much less singing - as anyone is going to see in a while.
Julian Eaves
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REVIEW: An Inspector Calls, Playhouse Theatre ✭✭✭✭✭
The entire production is a fascinating interpretation, and completely lives up to its ‘landmark’ hype. In these times of political upheaval, Priestley’s reminder that “we are responsible for each other” is not only timely, but timeless. After a turbulent 2016, An Inspector Calls is a must see.
Sophie Adnitt
News & Reviews
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REVIEW: Cats, New Wimbledon Theatre ✭✭✭✭
It has to be said: Marianne Benedict as Grizabella gives the best rendition of the infamous show tune that I have ever heard; with the climactic crescendo, her pipes burst with such raw integrity and the uninterrupted audience applause (which will undoubtedly be repeated at each performance) is whole-heartedly deserved.
Alexa Terry
News & Reviews
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Theatre 503's production BU21 Transfers To Trafalgar Studios
Stuart Slade's BU21, the award-nominated play that follows six Londoners in the aftermath of a fictitious terrorist attack will transfer to the Trafalgar Studios
Douglas Mayo
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REVIEW: Lazarus, Kings Cross Theatre ✭✭✭✭✭
What we have here is a clear successor to 'Mamma Mia', in that the show takes a seminal back-catalogue and lifts from it a mix of tracks to elaborate and decorate a strongly dramatic tale that happens to chime harmoniously with the personality of the musical and lyrical content.
Julian Eaves
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REVIEW: The Wipers Times, New Wolsey Theatre Ipswich ✭✭✭
Falling far short of the biting satire of Oh What A Lovely War and Blackadder Goes Forth, the play is an effective tribute to an extraordinary publication, and there are some moving moments that capture the fear and homesickness of the soldiers.
Paul T Davies
News & Reviews
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REVIEW: Side Show, Southwark Playhouse ✭✭✭✭✭
Hopefully, this will be the first of many productions of Side Show here in the UK, although I doubt any will match the talents involved here or the transcendent brilliance of its two incredible leading ladies. Bravo!
Douglas Mayo
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REVIEW: Dead Funny, Vaudeville Theatre ✭✭✭✭
Johnson’s writing is complex and masterful, switching frequently and seamlessly between light and shade. The jokes hit the mark and are well timed, whilst many of the exchanges between Richard and Ellie are achingly sad.
Danny Coleman-Cooke
News & Reviews
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Christina Bianco Celebrates Christmas At Charing Cross Theatre
Editorial Staff
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REVIEW: Lunatic, TheatreN16 ✭
Regretfully, I have to note that I personally didn’t find any work of that quality in this particular offering.
Julian Eaves
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REVIEW: The Entertainer, Garrick Theatre ✭✭✭✭
The Entertainer’, a brilliantly performed play paralleling the breakdown of the British Empire and the decline of music hall, which concludes Kenneth Branagh’s season at the Garrick.
Alexa Terry
News & Reviews
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REVIEW: Fiona Jane Weston ... And West End Friends, Phoenix Artists Club
In miniature, a marvelous insight into the life and work of artists in musical theatre, with something a little bit different about it, drawing a nice crowd, reminding us of things we cherish, and giving us some brand new stuff, too. Who could ask for anything more?
Julian Eaves
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REVIEW: Sweeney Todd, Mercury Theatre Colchester ✭✭✭✭✭
Residents of Colchester are lucky to have on their doorsteps a production that punches above its regional theatre weight, and lovers of the musical would do well to travel and see it. I urge you all to attend the tale of this Sweeney Todd!
Paul T Davies
News & Reviews
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REVIEW: Skin A Cat, The Bunker ✭✭✭✭
There is a lot, in fact, in the writing - and delivery - that reminds one of the best female stand-up comedy, and the audience here seems to be very like the audience for that other form.
Julian Eaves
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REVIEW: The Hotel Cerise, Theatre Royal Stratford East ✭✭✭✭
This is a remarkable and magnificent work, rich in detail and meaning, and - as we approach another decisive moment in the US (and therefore also global) history - it could not have been better timed, nor more aptly designed to reflect a complex and often self-contradictory situation.
Julian Eaves
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FIRST LOOK: The Intelligent Homosexual’s Guide to Capitalism and Socialism at Hampstead Theatre
Editorial Staff
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SHOW OF THE MONTH: The Bodyguard - Dominion Theatre - Save up to 53%
Editorial Staff
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REVIEW: Ragtime, Charing Cross Theatre ✭✭✭✭✭
The show has been seen in London several times recently, and it is clearly a work that repays revisitation, and reinterpretation. I will certainly be back to see this version again.
Julian Eaves
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REVIEW: From Ibiza To The Norfolk Broads, Waterloo East Theatre ✭✭
Bowie was a fascinating figure, with aspects of his work and image that make for rich pickings when it comes to creating a show. Unfortunately what From Ibiza to the Norfolk Broads has done is ignore the best parts of its source material in favour of producing a piece that is self-absorbed to the point of alienating its audience and is, quite frankly, dull.
Sophie Adnitt
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REVIEW: Hotel For Criminals, New Wimbledon Studio ✭✭✭✭✭
That such a heavyweight should be having his work showcased by such a (still) small company in a fringe studio says a lot about him and a lot about the venue and its visitors.
Julian Eaves
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REVIEW: Jess And Joe Forever, Lakeside Theatre ✭✭✭✭
Bravo Zoe Cooper, you have written a memorable play, one of the best this year, that deserves the widest audience possible!
Paul T Davies
News & Reviews
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The Glass Menagerie Comes To The Duke Of York's Theatre
Following the success of Harry Potter And The Cursed Child - Parts One and Two, director John Tiffany returns to the West End with his internationally acclaimed production of The Glass Menagerie by Tennessee Williams. The production will play for a limited season at the Duke Of York's Theatre from 26 January to 29 April 2017. Tickets are on sale now.
Editorial Staff
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REVIEW: Moby Dick The Musical, Union Theatre ✭✭✭
Andrew Wright’s production does what it can to make us concentrate on the show’s many felicities. However, it may take more than bracing direction and lively movement to bring a greater feeling of cohesion to this still fairly loose assemblage of magnificent parts.
Julian Eaves
News & Reviews
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REVIEW: Wonderful Town, Ye Olde Rose and Crowne Pub Theatre ✭✭✭✭
This is very New York. A constant hurly-burly of influences and crossed paths, with the players packed into the smallest space possible
Julian Eaves
News & Reviews
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REVIEW: Musical Of The Year, Lost Theatre ✭✭✭✭
This is the funniest show of its kind since 'Forbidden Broadway'.
Julian Eaves
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REVIEW: Somewhere in England, New Wimbledon Studio ✭✭✭✭
This is the most important and exciting rediscovery of a ‘lost’ British musical since the 1982 King’s Head Theatre revival of Vivian Ellis’s ‘Mr Cinders’
Julian Eaves
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REVIEW: Ulysses' Homecoming, Hackney Empire ✭✭✭✭
This is an entertaining and skillfully staged production of one of Monteverdi’s most popular operas. Make sure you go and see it at a theatre near you; you’re sure of an epic night…
Danny Coleman-Cooke
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REVIEW: The Dresser, Duke Of York's Theatre ✭✭✭✭✭
Sean Foley’s production of The Dresser is simply extraordinary. Ken Stott and Reece Shearsmith are outstanding as ‘Sir’ and Norman, whilst the supporting cast, and Harriet Thorpe’s ‘Her Ladyship’ in particular, are truly excellent. It is a thought-provoking, funny and poignant piece, which not only does full justice to Sir Ronald Harwood’s wonderful script, but the acclaimed productions that preceded it.
Matthew Lunn
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REVIEW: The Book Club, King's Head Theatre ✭✭✭
If I had been wearing a hat, I would have taken it off to Amanda Muggleton. Although I didn’t find the character to be particularly likeable, Muggleton’s extensive monologue is animated and, imaginative.
Alexa Terry
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REVIEW: One Night In Miami, Donmar Warehouse ✭✭✭✭
These are men dancing on the edge of their own history, and the fact that we know their histories, (two of them killed by violence), makes the play highly poignant. A highly rewarding evening at the theatre.
Paul T Davies
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REVIEW: Jekyll & Hyde and Nerve (Double Bill), Greenwich Theatre ✭✭✭
Brilliantly well-written dialogue is always great to hear, especially when delivered with cut-glass panache as by this super quartet: in addition to the author, we have Lee Comley, Jack Govan and Kate Novak making up the set. These well-observed stories of contemporary urban life, unified by dozens of parallels, feature sequences of extremely confidently constructed situations, voiced economically and brightly with the argot, idioms, banter and attitudes of today, yet given heightened and bizarre intensity through their dramatic compression of extreme situations.
Julian Eaves
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The Wanted's Tom Parker To Star As Danny Zuko In Grease UK Tour
Editorial Staff
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REVIEW: Code 2021: Autumn Secret Theatre Project, Bethnal Green ✭
It was a HUGE relief when it was all over. Not least for the accused, perhaps, who - like the rest of the cast - had had the almost impossible task of putting across one of the worst written courtroom scripts it has ever been their misfortune to have to master.
Julian Eaves
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FLASH SALE: The Libertine with Dominic Cooper - Save up to 40%
Editorial Staff
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Frances Ruffelle To Star in The Wild Party At The Other Palace
Editorial Staff
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REVIEW: The Autumn Garden, Jermyn Street Theatre ✭✭✭✭
Despite this, there are quality performances on offer and an intriguing plot. The gradual descent of Nick from hero to scoundrel in Constance’s estimations is very well done. This may well be Hellman’s best play, and it’s an excellent work of its time and kind, but a little refinement would not go amiss.
Sophie Adnitt
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REVIEW: Much Ado About Nothing, Mercury Theatre Colchester ✭✭
The Only Way is Shakespeare? Staged in contemporary Essex in a garrison town, (not very subtly hinting that it takes place in Colchester), this production manages to misfire on just about every level.
Paul T Davies
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REVIEW: As You Like It, St Martins Church, Colchester ✭✭✭✭
Nicely abridged, with the tiresome Touchstone being eliminated, this is a very entertaining production.
Paul T Davies
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REVIEW: Murder Ballad, Arts Theatre ✭✭✭✭
for me, ‘Murder Ballad’ is all about the exciting score which doesn’t depend on the screaming tenor, but on the sultry bass and an amalgamation of sexed up jazz/pop, with thirst-quenching rock belts (which are, of course, gratefully received). With their music and lyrics, Jordan and Nash blow the dust from the spine of a told tale.
Alexa Terry
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REVIEW: Confessional, Southwark Playhouse ✭✭✭
Silver takes Williams' American milieu and shifts it deftly - without changing a single word of the text - into the seedy, East-End-by-the-seaside, down-at-heel and take-us-as-you-find-us ambience of Southend-on-sea.
Julian Eaves
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REVIEW: Getting Better Slowly, New Diorama Theatre ✭✭✭✭
Overall, Getting Better Slowly’s main strengths lie in its performers and the sheer amount of heart in its story. It takes place in a small world, but ultimately one that is perfectly formed and we can all recognise a place we would take in it. As for Pownall’s goal to raise awareness of Guillain-Barre - it is thoroughly fulfilled. And he’s created a remarkable show along the way.
Sophie Adnitt
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REVIEW: Mr Popper's Penguins, Tunbridge Wells Assembly Rooms (UK Tour) ✭✭✭
So, should one see this show? In my book, even if only for the closing minutes, then most definitely. Bateman and Hughes are major new talents and this is an indicator that much, much greater things can be expected of them. All they need now are the right scripts and productions to make that magic happen.
Julian Eaves
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REVIEW: The Boys In The Band, Park Theatre ✭✭✭✭
All credit to director Adam Penford and the terrific cast for restoring the play back to the canon, and, in the intimacy of the Park Theatre, it now looks like an honest portrait of gay life and a period of time, when being in the closet was the only option many gay men saw as a means of survival.
Paul T Davies
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Thriller Live - West End Extension, New UK Tour and China Opening!
Thriller Live continues to entertain people worldwide and producers have announced that the show will now extend its run in London's West End, will undertake a new UK tour in 2017 and has just opened a new resort in China.
Editorial Staff
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Rufus Sewell Leads Revival Of Art At The Old Vic
The Old Vis has announced that Tim Key (Winer 2009 Edinburgh Comedy Award), Paul Ritter ( The Audience, The Norman Conquests) and Rufus Sewell ( Closer, ITV's Victoria) will star in the revival of Yasmina Reza's play Art.
Editorial Staff
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Shane Richie To Star As Roy Grace in Not Dead Enough Tour
Producers have announced that Shane Richie will play the role of Roy Grace in the world stage premiere of Peter James' play Not Dead Enough for the first part of its 2017 tour.
Editorial Staff
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White Bear Theatre Re-Opens with Bright Lucifer
Following a £1.3 million redevelopment, The White Bear Theatre has recently re-opened. It's first production Brice Stratford's professional world premiere production of Orson Welles' first play, Bright Lucifer.
Editorial Staff
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REVIEW: All Aboard, Electric Theatre Guildford ✭✭✭✭✭
And the company, all giving their energies for a song and dance, make this the wonder it is: a rollicking night out, and also a landmark in the development of another great British musical theatre writing team. Where will they go to next?
Julian Eaves
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FIRST LOOK: Cinderella at the London Palladium - Character Portraits
Editorial Staff
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REVIEW: Adding Machine, Finborough Theatre ✭✭✭✭✭
Musically, this is a serious work, that demands a lot of its listeners; but it repays handsomely in its dramatic and aesthetic effects.
Julian Eaves
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REVIEW: Girls, Soho Theatre ✭✭✭✭✭
Girls is confrontational without becoming prosecutorial, heartfelt without becoming unbelievable. With powerful writing and equally strong performances, Girls is a must see production this autumn.
Sophie Adnitt
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REVIEW: The Libertine, Haymarket Theatre ✭✭✭
The Libertine is an enjoyable, but rather unfulfilling play. The Earl of Rochester is an intriguing figure, and Dominic Cooper’s is a witty and energetic portrayal. Yet in spite of the high calibre performances and tremendous dialogue – I lost count of the number of phrases I felt “I must look up” – The Libertine is a rather aimless piece. For all the philosophising and avarice, at its heart are two incongruously conventional romantic narratives. In spite of good performances by Ophelia Lovibond and Alice Bailey Johnson, these fail to draw complete conclusions about Rochester’s desire to love himself and others, and reconcile how such a passionate man could let his thirst for life slip away like so many empty carafes.
Matthew Lunn
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Bowie Homage Comes To Waterloo East
Adrian Berry's From Ibiza To The Norfolk Broads comes to the Waterloo East Theatre in October 2016. This celebration and homage to one of the greatest musical figures of all time come just months after Bowie's passing.
Editorial Staff
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Rafe Spall Joins Cast Of National's Hedda Gabler
Rafe Spall joins Ruth Wilson in Ivo Van Hove's new production of Ibsen's Hedda Gabler at the National Theatre. Book Now.
Editorial Staff
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Jest End Returns To Waterloo East
The hit comedy musical show exploring and 'exposing' the hits, flops and gossip of Theatreland, returns to Waterloo East Theatre after its sell-out season in 2015.
Editorial Staff
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Jersey Boys London To Close 26 March 2017
After nine amazing years in London, producers have announced that Jersey Boys will close at the Piccadilly Theatre on Sunday 26 March 2017. They have also announced that a second national tour of Jersey Boys will open in December 2017 at the New Alexandra Theatre, Birmingham.
Douglas Mayo
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New Psychological Thriller Based on Stoker's Dracula Comes To Theatre N16
Editorial Staff
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REVIEW: Big Shot, London Irish Centre ✭✭✭
There really is no infrastructure in Ireland for making work of this kind, which makes the achievement all the more striking. Everyone has another job, or two, and time has to be snatched to rush away from other responsibilities to do this job. Yet, there they all are, sticking together, helping each other along, and making something really rather lovely happen.
Julian Eaves
News & Reviews
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REVIEW: Out There, Union Theatre ✭✭✭✭
Nevertheless, this is another creditable creation from the production stables of Sasha Regan and underlines her continuing commitment to the development of new British musical theatre. Very much worth your serious consideration, which it will repay by pleasing and charming.
Julian Eaves
News & Reviews
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REVIEW: Kenny Morgan, Arcola Theatre ✭✭✭✭✭
It’s a little ironic that, in a time of cross gender, age and ethnic blind casting, multi-media work and when the theatre is trying to find the next big thing, a well-structured slice of naturalistic drama may yet be the best new play of 2016. Unmissable.
Paul T Davies
News & Reviews
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REVIEW: The Hired Man In Concert, Cadogan Hall ✭✭✭✭✭
Cadogan Hall brought a lavish concert performance of the piece to its stage, and - once again - we saw and heard just why we should value this work amongst the highest achievements in the musical theatre. It is simply breath-taking. Indeed, freed of decor and costume, lighting and choreography, and of all the pageantry of the theatre, when exposed to the forensic inspection of the concert platform its virtues come across even more strongly.
Julian Eaves
News & Reviews
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Imelda Staunton To Star In Albee's Who's Afraid Of Virginia Woolf?
Editorial Staff
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REVIEW: Made In Dagenham, New Wolsey Theatre ✭✭✭✭
Director Douglas Rintoul places it in the hands of an exceptional ensemble of actor-musicians, and the result is a joyful and powerful evening celebrating equal rights. Based on the film of the same name, the musical charts the determination, humour, defiance and skills of the women at the Ford Dagenham car plant who strike for equal pay in 1968.
Paul T Davies
News & Reviews
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REVIEW: That Man, Hippodrome Casino ✭✭✭✭
If anyone loves the music of Caro Emerald, then they’ll love this feast of her songs presented in a dramatic context. If anyone does not know her music, or has yet to be persuaded of its merits, then they will be enchanted by the delicious performances given by a cast of 10 in this production, supported by a smart 4-piece band and MD Iain Vince-Gatt.
Julian Eaves
News & Reviews
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Strictly Come Dancing Live Tour - 10th Anniversary Tickets Now On Sale
Douglas Mayo
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REVIEW: Briefs, The Spiegeltent, London Wonderground ✭✭✭✭✭
This is pure, unadulterated escapism – and nobody does it better. We all need a little escapism every now and then, and in these crazy – even difficult – times it should not just be advised, it should be made mandatory. Whatever is next in store for this brilliant bunch, I for one, cannot wait to see it.
Richard Earl
News & Reviews
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REVIEW: Things I Know To Be True, Lyric Hammersmith ✭✭✭✭✭
Families are complicated and messy, nevertheless, family dramas when captured correctly can be hugely touching. No matter what our background, we all have emotive views about ‘family’, and those connections usually run deep. Brookman and Graham have made Bovell’s already vital story come to life in such a way that the actors’ performances truly soar. I defy you not to be moved. This, in short, is a blistering production with universal appeal. All I can say is; go! You will not be disappointed.
Richard Earl
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REVIEW:- John and Jen, Union Theatre ✭✭✭✭
Added to this is the factor of Lippa’s music and Greenwald’s lyrics (they share credits for the book). Both can be bright, incisive, strongly characterised and emotionally expressive. Equally, there are extensive passages where they slip into conventional harmonic, rhythmic, melodic patterning and generic, very plainly worded statements of the kind that do the two actors having to carry the entirety of the drama few favours. It is whole to the credit of James and Sharon that they are able to make us care so much about what happens to John and Jen, even when a lot of the material they have to work with does not make this an easy or a straightforward task.
Julian Eaves
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Henry V Tour
Returning for its fourth year to delight audiences around the UK, Antic Disposition’s critically-acclaimed production of Shakespeare’s Henry V will embark on a historical tour of ten of the most beautiful and significant cathedrals
Douglas Mayo
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REVIEW: Torn Apart, Theatre N16 ✭✭✭✭
There is sometimes a rawness to the action, an absence of polish, but it is always convincing and involving: in fact, the wonderful paradox here is that, as the play progresses, becoming sometimes very fragmented and disjointed, the compelling is its overall effect.
Julian Eaves
News & Reviews
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REVIEW: The Pianist Of Willesden Lane, St James Theatre ✭✭✭✭✭
The piece is told beautifully and simply, with no added spectacle or illusion: just one woman, her piano and a story - and I was holding on to every word and every note. I expected scattered sniffs and the rustling of tissues, but it was between Golabek’s performance of Beethoven’s Sonata ‘Moonlight’ and Debussy’s ‘Clair de Lune’ where I surrendered to the army of stomach knots and the choking lump in my throat and sobbed - the shoulder-bobbing kind.
Alexa Terry
News & Reviews
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Cameron Mackintosh Stops Understudies From Tweeting Their Schedules
Editorial Staff
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F*cking Men Transfer To The Vaults
Following three sell-out, critically acclaimed runs both at The Edinburgh Fringe and in London, The King's Head Theatre production of F*cking Men will transfer to The Vaults in Waterloo
Editorial Staff
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REVIEW: 27, The Cockpit ✭✭✭✭✭
This current production looks like an object lesson in how to fuse the best of experienced industry leaders with dynamic new talent. And the writing-directing-choreographing team here are scoring a massive hit with their debut project: doubtless, they will be using the Cockpit run to make further refinements to the script.
Julian Eaves
News & Reviews
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REVIEW: Party, Above The Stag ✭✭✭✭✭
Party isn’t a play that involves long complex character studies. It’s a hoot, had me laughing throughout and wanting a return visit. It’s pure fun. It holds up a mirror on ourselves to a simpler time (we would never have admitted that at the time!) and reminds us that friends are everything.
Douglas Mayo
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REVIEW: The Naked Magicians, Tragalgar Studios ✭✭✭✭
Will you see better magic elsewhere? More than likely. Will you see more nudity at other destinations? Probably. Will you see the two together at another venue? I doubt it. And will they have the same on stage chemistry and tongue-in-cheek, macho, self-deprecating sense of fun? Not a chance. So, get the babysitter booked. Leave the kids at home. And get along to the Trafalgar Studios and enjoy.
Richard Earl
News & Reviews
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REVIEW:The Play That Goes Wrong, Duchess Theatre ✭✭✭✭
The Play That Goes Wrong is a highly entertaining show, with a fine new cast of actors and a artfully catastrophic set. Given this, and the British public’s acute awareness of personal embarrassment, coupled with the uniquely comic and cathartic potential of witnessing it in others, the play is destined to be a long-runner in the West End.
Matthew Lunn
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REVIEW: Punkplay, Southwark Playhouse ✭✭✭✭
Gregory S. Moss is an ingenious playwright who has created a sequence of tableaux, each of which can be understood as a 'cover' of a different musical 'track' on a personalised cassette tape, of the kind typically compiled for each other by friends in the long-lost 1980s. The scenes are, in fact, 'riffs' on actual recordings, and the anoraks amongst us (Hand up! - Guilty!) will have huge fun in tracing their origins, analysing the author's creation as if it were the product of some Walmart T S Eliot.
Julian Eaves
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REVIEW: Broken Strings, Tabard Theatre ✭✭✭
Above all, this is a drama that might occur in anyone's life: the sheer everyday nature of the story is in fact its raison d'etre. While it may not bark for attention and excite us with a stream of diversions, hours after you leave the theatre you notice that its gentle but lucid presence is still with you, shedding some scattered light on the great mysteries of living and dying, of loving and hating, of despair and hope.
Julian Eaves
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REVIEW: [title of show], Waterloo East Theatre ✭✭✭✭✭
All in all, [title of show] is simple, straightforward entertainment and an affectionate look at the process of just putting on a performance. As the characters, themselves remark - who says four chairs and a keyboard can’t make a musical?
Sophie Adnitt
News & Reviews
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REVIEW: Vanities, Trafalgar Studios 2 ✭✭✭✭
‘Vanities The Musical’ is another dazzling production in Aria Entertainment’s charming and growing catalogue and, whether it is an evening with your friends, or with a glass of wine as your only accompaniment, I urge you to invest in a ticket - you won’t be disappointed as you come away with aching cheeks from smiling and your heart strings well and truly tugged.
Alexa Terry
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REVIEW: La Boheme, King's Head Theatre ✭✭✭
While Adam Spreadbury-Maher’s version of Puccini’s La Boheme is original and beautifully sung, it struggles to capture all the magic of the original. A stronger libretto would transform this from a solid production to a must see.
Danny Coleman-Cooke
News & Reviews
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REVIEW: Bumblescratch, Adelphi Theatre ✭✭
As it stands the score is far too dense and thematically all over the place, the plot far too complex and several characters seemingly irrelevant. Once I got home after the show, I digested the shows two and a half pages of plot in the programme, and I found it all thoroughly convoluted. As a first public outing, it's not bad, but there's a long way to go until this show is ready for any further public outing
Douglas Mayo
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REVIEW: Crime and Punishment, The Scoop ✭✭
Not only does he (Phil Willmott) offer free live performances to theatre virgins, to those who wouldn’t normally choose to spend their money on tickets and to those who now refuse to pay the extortionate rising ticket prices, but most importantly, for me, he tells us the stories which gather dust on our bookshelves; the ones we are all guilty of shoving to the back behind copies of Harry Potter and Bridget Jones. Overall, whether I enjoyed the musical doesn’t really matter because I was introduced to a classic that I should have appreciated by now - and a darn good one it is.
Alexa Terry
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REVIEW: Bounder And Cad, The Pheasantry ✭✭✭✭
There is no doubt that their highly comedic takes on current affairs, politics and the British psyche not only hit the nail on the head but well and truly hammer it into the framework of the British establishment.
Douglas Mayo
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REVIEW: The Burnt Part Boys, Park Theatre ✭✭✭
You must judge for yourself whether you think this may or may not the case with this play. Whatever decision you arrive at, you might also like to consider what effect would it have on you were you to know at first hand what the mothers, widows, sisters, cousins or girlfriends of the heroes of the story might have to say. Alright, that would make it a different play. But there's one girl here, so: Where are all the (other) women?
Julian Eaves
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REVIEW: Unfaithful, Found111 ✭✭✭
For such an explosive opening, the surprisingly muted ending of Unfaithful leaves its audience unsatisfied and full of questions. Whilst commendable for Cusack and Campion’s performances, the play itself feels underdeveloped, breaking no new ground in terms of story.
Sophie Adnitt
News & Reviews
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REVIEW: Brass, Hackney Empire ✭✭✭✭✭
The show's score is one that you want - you need - to revisit again and again. Till and his collaborators are such major talents that there isn't a single line, phrase or bar that doesn't repay repeated hearing. Quite honestly, it's a breath-taking achievement.
Julian Eaves
News & Reviews
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Real Life Story Of Performer's Voice Loss Challenge Comes To Pleasance
Douglas Mayo
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REVIEW: Glasgow Girls, Assembly Hall, Edinburgh Festival ✭✭✭✭✭
While the musical inevitably simplifies complex issues, it seamlessly integrates some of the debate about Britain’s attitudes towards refugees and asylum seekers. With these issues as relevant today as they were when the show premiered in 2012, Glasgow Girls is a powerful, compelling plea for seeing refugees as people rather than just faceless statistics.
Mark Ludmon
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REVIEW: Scorched, Zoo Southside, Edinburgh Festival ✭✭✭✭
Directed by Claire Coaché, Scorched is a powerful play that captures the horror of war and the disorientation of dementia.
Mark Ludmon
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REVIEW: A Regular Little Houdini, Pleasance Dome, Edinburgh Festival ✭✭✭✭
It starts slowly but, through the strength of Llewelyn-Williams' performance and writing, you are soon gripped by his tale as it builds in excitement, mixing heart-breaking tragedy with uplifting hope about human endurance. Directed by Joshua Richards, it is a beautifully crafted show that casts a spell that stays with you long after it is over.
Mark Ludmon
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REVIEW: The Trial, Brockley Jack ✭✭✭✭
The Trial is an intense and thought-provoking evening, giving a fresh perspective on one of Kafka’s most famous works. An intriguing play in an excellent theatre.
Danny Coleman-Cooke
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REVIEW: Romeo And Juliet (Abridged), St Martin's Colchester ✭✭✭✭✭
In this beautiful, innovative production of the play, the script is abridged and the audience promenade and it’s played by a terrific ensemble who convince with every line, every song, and every movement.
Paul T Davies
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Drink, Drugs And Homosexuality Feature In New Old Red Lion Production
Douglas Mayo
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REVIEW: Marco Polo, Shaw Theatre ✭✭✭
But the message this work has to speak to us is not going to be dismissed: in an era when the management of the world by politicians is so signally lacking in hope, this story reminds us that there are other ways of doing things, there are other attitudes that can be assumed and there are other ways of responding to others than relentless, unwinnable wars.
Julian Eaves
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REVIEW: Scooby Doo Live Musical Mysteries, London Palladium ✭✭✭✭
The show runs for just under 90 minutes with a brief interval and had the attention of children throughout. Lots of audience response was called for and the children responded in droves. It is wonderful to look at the jam-packed London Palladium and think that the next generation of actors, composers and theatre folk might just have seen their first show. Brilliant!
Douglas Mayo
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REVIEW: DarkTales, Pleasance - Edinburgh Festival ✭✭
Late night, in a dank cellar, this show might find the right atmosphere. As it is, it's far too safe, and seems a strange choice for the fringe.
Paul T Davies
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REVIEW: 946 The Amazing Story Of Adolphus Tips, Shakepeare's Globe ✭✭✭
This is a story well worth telling; one of the most hushed up disasters in Anglo-American history. It has been turned into a touching and entertaining play, one that is not without its flaws but that offers a great night out for all the family.
Danny Coleman-Cooke
News & Reviews
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REVIEW: Groundhog Day, Old Vic Theatre ✭✭✭✭✭
For a 10 week trial, this production of Groundhog Day is as good or better than many shows I have seen this year. A West-end transfer must surely be on the cards and I'm sure Andy Karl would be up for a Broadway run. Just get down to the Old Vic asap to see this stunning show. Writing and production of this calibre must be seen!
Douglas Mayo
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REVIEW: The League Of Youth, Theatre N16 ✭✭✭✭✭
The genius of this work is that it opens up to us what is really great about the writer: his vision of humanity, his craft as a composer of lyrical epics of the struggle of people to find their way in a world full of dangers, challenges, betrayals, confusions and blind-alleys. It leaves you knowing that you will never be able to think about the creator of Peer Gynt or Mrs Alving in the same way again. And you feel so very, very glad about that. At last.
Julian Eaves
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REVIEW: Teatro Delusio, Pleasance - Edinburgh Festival ✭✭✭✭
A packed venue of all ages, from young children to grandparents, loved it. Be quick in booking as this is one hot ticket, and fall in love with theatre again!
Paul T Davies
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REVIEW: 5 Guys Chillin, C Too - Edinburgh Festival ✭✭✭
On the plus side, the cast are very good, and the damaging side of their partying is played very well. I liked the confrontational nature of the script, and it does not glamorise the scene. It's bleakness makes me worry for young gay men.
Paul T Davies
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REVIEW: I Love You You're Perfect Now Change, Arts Theatre ✭✭✭✭✭
With a script and score this good, with such a robustly simple and flexible and clear set-up and artists of such sterling quality, this was like being at a really, really good party for two-and-a-half hours, or seeing a really big West End show.
Julian Eaves
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REVIEW: Thrones, Assembly - Edinburgh Festival ✭✭✭✭
The show comes in at under an hour, and maybe it's time for the company to spread their dragon wings and expand the material- there was plenty of fire left at the end. One for the fans, but a parody that scales the wall of comedy!
Paul T Davies
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REVIEW: Love, Lies and Taxidermy, Summerhall - Edinburgh Festival ✭✭✭✭✭
The sell-out audience loved it and you will leave with a huge grin on your face! A solid gold feel good hit! The film version must be in the works?
Paul T Davies
News & Reviews
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REVIEW: Allegro, Southwark Playhouse ✭✭✭✭
Thom Sutherland’s production of Allegro is a definite success, putting a positive gloss on a perhaps unfairly maligned play. It is intelligently directed, perfectly sung and well acted – an entertaining slice of Americana in SE1 .
Danny Coleman-Cooke
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REVIEW: Growth, Roundabout at Summerhall - Edinburgh Festival ✭✭✭✭
This is a play about an issue many young men may not want to face- in fact the word cancer isn't spoken. Well worth checking out- then check them out lads! Highly recommended.
Paul T Davies
News & Reviews
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REVIEW: Adler and Gibb, Summerhall - Edinburgh Festival ✭✭✭✭
Challenging and intellectual, performed by a disciplined ensemble, this is what fringe theatre should be. You will either love it or hate it, but it is so worth seeing. It may not be appropriate to call a play bat shit crazy brilliant- but it is!
Paul T Davies
News & Reviews
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REVIEW: Our Ladies Of Perpetual Succour, National Theatre ✭✭✭✭
Be warned, this is not a night at the theatre for the prissy or faint-hearted, the "Ladies" swear like sailors and the subject matter here is at times more like pornography, but that aside its one hell of a tale.
Douglas Mayo
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REVIEW: Us/Them, Summerhall - Edinburgh Festival ✭✭✭✭✭
Balloons become bombs, string restricts the space, the terror is worked out as a maths calculation. Haunting and mesmerising, this is the best the Fringe has to offer- a devastating piece.
Paul T Davies
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REVIEW: Milk, Traverse - Edinburgh Festival ✭✭✭✭✭
Orla O'Loughlin's sensitive direction and Paul Meller's uncluttered design guides us through the need for love. Yes, some strands are left loose, but a terrific ensemble, (so good no one should be singled out), and a deeply moving conclusion underlines the milk of human kindness. Theatrical nourishment.
Paul T Davies
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REVIEW: Bubble Schmeisis, Summerhall - Edinburgh Festival ✭✭✭✭
This is a warm, informative, lovely show, and you would do well to spend an hour at the baths!
Paul T Davies
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REVIEW: A Good Clean Heart, Underbelly - Edinburgh Fringe ✭✭✭✭✭
Alun Saunder's beautiful script is not just bilingual, he also explores street language and bravado. Excellent direction and movement and a wonderful karaoke section allows the play to soar.
Paul T Davies
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REVIEW: Steel Magnolias, Hope Theatre ✭✭✭
Easy, very funny, but ultimately underwhelming, Steel Magnolias is perhaps best left to the admirers of the film.
Sophie Adnitt
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FIRST LOOK: Rodgers and Hammerstein's Allegro - Southwark Playhouse
Douglas Mayo
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REVIEW: The Naked Magicians, Pleasance - Edinburgh Festival ✭✭✭✭
They are not afraid to be cheesy and corny, and fans of the buff male body will not be disappointed as they build to a satisfying climax (Sorry!)
Paul T Davies
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REVIEW: Eurobeat, Pleasance - Edinburgh Festival ✭✭✭✭
If you're looking for subtlety look elsewhere. This is high camp influenced by Carry On, and no cultural stereotype is under exploited, and the show is all the better for it!
Paul T Davies
News & Reviews
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FLASH SALE - American Idiot At The Arts Theatre - Save up to 69%
FLASH SALE - Book tickets for American Idiot at the Arts Theatre London by 15 August and save up to 69%.
Douglas Mayo
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REVIEW: The Past Is A Tattooed Sailor, Old Red Lion Theatre ✭✭✭
Although by the end of the piece I wanted to cuddle Uncle Napier, I didn’t feel the need to squeeze. Whether the play is liked or not, a promise has been kept and Blow’s uncle lives on at The Old Red Lion Theatre.
Alexa Terry
News & Reviews
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REVIEW: Funny Girl, London Cast Recording ✭✭✭✭
You can hear Sheridan's personality in this recording, this is no sterile studio recording, you can hear her smile and the comedy of the show comes across in droves.
Douglas Mayo
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REVIEW: Heart Of Winter, A Song Cycle CD ✭✭✭✭✭
There's a lot to recommend Heart Of Winter, I can't wait to hear more of Connor and Buddle, with new writing talent like this, I am confident there are brilliant British musicals on the horizon.
Douglas Mayo
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REVIEW: The Wind In The Willows, Mercury Theatre ✭✭✭✭✭
Matthew Cullum’s direction allows imaginations to run wild, a shopping trolley becomes a horse, a spade a fish, a bugle a pistol, without ever sacrificing the story- the key to this production’s success is in its story telling. The Mercury may now have a tradition on its hands with its summer shows.
Paul T Davies
News & Reviews
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REVIEW: Close To You, London Cast Recording ✭✭✭✭✭
Close To You is a stunning recording that takes me back to what for me was a very special night in the theatre. I daresay it will be played with frightening regularity here, and I hope that many of you will get a copy and have a listen to Kyle Riabko's wonderous reimagining of one of the greatest songwriter's of our time. Bravo!
Douglas Mayo
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REVIEW: The Collector, The Vaults Waterloo ✭✭✭
Despite its moments of clumsiness, this is a well-designed and finely acted production, and is worth a trip for the atmospheric venue alone. An interesting adaption, while The Collector doesn't quite ensnare its audience, it certainly unnerves them.
Sophie Adnitt
News & Reviews
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REVIEW: Exposure, St James Theatre ✭
Exposure is so bland that ultimately it won't make the list of great flops, you know those shows that lurch from briliance to being dire. There's just nothing to recommend this effort at all.
Douglas Mayo
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REVIEW: Rotterdam, Trafalgar Studios 2 ✭✭✭✭
Nothing is conclusive in Rotterdam, but then again nothing is constant either. In this port city, where everyone is either arriving or leaving, the audience is simply given an insight into four people’s lives. Four people who don’t exactly want to change the whole world - just their little part of it. Hilarious and heartbreaking in turns, Rotterdam is a strong and highly enjoyable piece of theatre.
Sophie Adnitt
News & Reviews
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REVIEW: Harry Potter And The Cursed Child, Palace Theatre ✭✭✭✭✭
Yesterday, at London’s Palace Theatre, I experienced something quite magical, and that was just watching the audience. Harry Potter And The Cursed Child had finally arrived, and what was going on up on stage was simply extraordinary.
Douglas Mayo
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REVIEW: Jesus Christ Superstar, Regent Park Open Air Theatre ✭✭✭
Danny Coleman-Cooke
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REVIEW: Through The Mill, Southwark Playhouse ✭✭✭✭
Through The Mill is a triumphant look at the life of Judy Garland. It’s a wonderful evening in the theatre that will thrill fans and non-fans alike. The incandescent star that was Judy Garland continues to burn as brightly as ever thanks to Through The Mill at Southwark Playhouse. Don’t miss it.
Douglas Mayo
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REVIEW: Romeo And Juliet, Garrick Theatre ✭✭✭✭
This Romeo and Juliet are not gushy and are more than the Innamorati of Commedia Dell’arte. They are (James especially) sincere and relatable versions of two sweethearts.
Alexa Terry
News & Reviews
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REVIEW: Funny Girl with Natasha J Barnes, Savoy Theatre ✭✭✭✭✭
Barnes’ Fanny Brice is a musical comedy delicacy, a sumptuous multi-layered confection that should be savoured. On the surface level she tackles Fanny’s big production numbers like Don’t Rain On My Parade and People with ease, but the drama of the piece is also well served.
Douglas Mayo
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REVIEW: Bugsy Malone, Lyric Hammersmith ✭✭✭✭✭
The real spark behind this production is Drew McOnie’s blistering choreography. Even though the cast is probably the youngest around, this is the best devised and performed choreography I have seen all year (the only other contender, In the Heights, is another McOnie production).
Danny Coleman-Cooke
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REVIEW: The Go-Between, Apollo Theatre ✭✭
Apparently The Go-Between started life as a play, and for once the book here, written by David Wood, is not the problem here. The Go Between fails because of its score, which fails at every hurdle. If you are going to The Go-Between to hear Michael Crawford perform Phantom(ish) songs you will be sorely disappointed.
Douglas Mayo
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REVIEW: Vassa Zheleznova, Southwark Playhouse ✭✭✭
Vassa Zheleznova is an ambitious production and the Southwark Playhouse must be commended for taking a real risk on a lesser known text. However, the end result doesn’t quite hit the mark; Brookside meets Gorky is an enjoyable formula but not a winning one.
Danny Coleman-Cooke
News & Reviews
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REVIEW: Gertrude - The Cry, Theatre N16 ✭✭✭✭
Chris Hislop’s direction is shrewd and although parts do push the boundaries, none of the nudity or sex feels in any way gratuitous. Although it is a challenging and complicated play, it was well acted enough to make for an entertaining night out.
Danny Coleman-Cooke
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REVIEW: All Male HMS Pinafore, Richmond Theatre ✭✭✭✭
This HMS Pinafore asks us to reflect on a society that has changed considerably, but must keep evolving and continuing to examine itself. Gilbert’s jeering satire of a Victorian society obsessed with class and hierarchy doesn’t seem a million miles away from the problems young people still face in modern Britain.
Helena Payne
News & Reviews
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REVIEW: Aladdin, Prince Edward Theatre ✭✭✭✭
It’s a fast paced, energetic and supremely satisfying night at the theatre, and I daresay one that people will want to return to such is the joy that it brings.
Douglas Mayo
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REVIEW: Titanic, Charing Cross Theatre ✭✭✭✭✭
To my mind Titanic is currently the best show in the West End at the present time. Any lover of musical theatre would be crazy not to get a ticket to experience Titanic.
Douglas Mayo
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REVIEW: Lucky Stiff, DVD ✭✭
Whilst Lucky Stiff may be of interest to fanatics for its sheer novelty value, it is so silly and saccharine that it may struggle to find an audience elsewhere.
Danny Coleman-Cooke
News & Reviews
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REVIEW: Twist Of Lemon, St James Theatre Studio ✭✭✭✭
It is a heart-warming night, Chris bluffs and stutters, clearly enjoying impersonating his father through his famous lines, but personally I preferred it when he spoke plainly as himself.
Helena Payne
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REVIEW: Monster Raving Loony, Soho Theatre ✭✭✭✭
With the audience donning party hats and at times encouraged to participate, it is an entertaining show that slips in plenty of sharp insights into British politics and society.
Mark Ludmon
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REVIEW: The Great American Trailer Park Musical, Waterloo East Theatre ✭✭✭
The Great American Trailer Park musical is in effect just too damn likeable. It’s not a great musical, it doesn’t have to be, it’s just a great evening of fun with a great cast. Go as a group, have a few glasses of wine and just enjoy.
Douglas Mayo
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REVIEW: Christian Holder, SUITE 60, Crazy Coqs ✭✭✭✭
Nothing about an evening of Christian Holder in cabaret is what you expect it might be. If you are expecting an evening of songs, rolled out one after another, you’ll be disappointed. This is far more than that.
Douglas Mayo
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Stephen Sondheim Society Student Performer Of The Year and Stiles And Drewe Prize Winners Announced.
Douglas Mayo
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Natasha J Barnes To Play Fanny As Sheridan Smith Takes Leave Of Absence
Douglas Mayo
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Rotterdam Transfers To Trafalgar Studios
Jon Brittain's play Rotterdam will transfer from Theatre503 to Trafalgar Studios for a limited season from 26 July to 27 August 2016.
Douglas Mayo
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REVIEW: The Diary Of A Hounslow Girl, Oval House (UK Tour) ✭✭✭✭✭
I can only highly recommend this piece and suggest that if it is coming to a theatre near you that you invest in a ticket and experience the play for yourself. I doubt you will see something more moving or a performance as strong from such a young performer any time soon.
Douglas Mayo
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REVIEW: Richard II, Arcola Theatre ✭✭✭✭
Macbeth When asked to reflect on Shakespeare’s most ‘political’ plays, many of us would say and Richard III without a thought. Such is the astonishing influence of House of Cards, whose iterations are both strongly influenced by these political tragedies. Consequently this ‘new version’ of Richard II, which retains Shakespeare’s text but is set in modern-day Parliament, risks unfavourable comparisons. In fact, it is a very shrewd interpretation, with excellent performances from the two leads, a very solid supporting cast, and a simple but highly effective set.
Matthew Lunn
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REVIEW: Footloose, New Wimbledon Theatre ✭✭✭✭
Footloose had all 1600 people at the New Wimbledon Theatre last night on their feet dancing at the end with pure joy!
Douglas Mayo
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REVIEW: Down And Out In Paris And London, New Diorama Theatre ✭✭✭✭✭
Down And Out In Paris And London is must-see theatre. Concise, brilliantly performed and with megatons of dramatic punch, this is a piece that needs to be seen by those in power.
Douglas Mayo
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REVIEW: Shit-Faced Shakespeare, Leicester Square Theatre ✭✭✭✭
: The official website for Shit-faced Shakespeare, the unholy offspring of Magnificent Bastard Productions, describes their show as “the deeply highbrow fusion of an entirely serious Shakespeare play with an entirely shit-faced cast member.” Nevertheless, it inspires a certain amount of suspicion. Surely there wouldn’t actually be a drunk cast member? Wouldn’t it be dangerous? And wouldn’t a drunk person performing on stage be incredibly obnoxious? In fact, it is very real, all necessary precautions are taken, and it is extraordinarily entertaining.
Matthew Lunn
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REVIEW: Doctor Faustus, Duke Of Yorks Theatre ✭✭
Doctor Faustus is a production that tries to achieve a lot, and only partially succeeds. It is an artfully staged production that is high in intensity but critically low in heart and coherence.
Danny Coleman-Cooke
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REVIEW: The Comedy About A Bank Robbery, Criterion Theatre ✭✭✭✭✭
The Comedy About A Bank Robbery is uproariously funny. It is irreverent and energetic, with a versatile and imaginative set that lends itself brilliantly to unapologetic silliness. Perhaps most importantly, the script is not only very clever, but its characters are extremely consistent. They are desperate to fulfil their best laid plans, so when things go wrong, you really feel for them. Then things keep getting worse, and worse. And the belly laughs pour forth.
Matthew Lunn
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REVIEW: Forever Plaid, St James Studio ✭✭✭✭
During the show The Plaids talk about ‘the blend’ and as the show progresses you understand exactly what they mean. The musicianship onstage both vocal and instrumental is considerable.
Douglas Mayo
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REVIEW: Tom, Aylesbury Waterside Theatre (UK Tour) ✭✭✭✭
If you are a Jones’ fan and even if you aren’t Tom makes for a great night in the theatre. There’s even time for a bit of a boogie at the end of the show. So ladies get ready to fling your nickers Tom is coming to a theatre near you soon and you’d be nuts to miss it!
Douglas Mayo
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Exclusive Pre-Sale Period For Tim Minchin's Groundhog Day at The Old Vic Now Open
Douglas Mayo
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REVIEW: Sunset Boulevard, London Coliseum ✭✭✭✭✭
Glenn Close delivers the blockbuster songs from Lloyd Webber’s score with ease. This is 1000watt star-power and it makes for an intoxicating evening of theatre.
Douglas Mayo
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REVIEW: Bug, Found 111 Theatre ✭✭✭✭✭
Simon Evans’ production of Bug is a visceral and immersive piece, which lives up to Tracey Letts’ excellent script. Kate Fleetwood and James Norton deliver deeply moving performances, complimented by a strong supporting cast and sublime set, lighting and sound design. It is a brilliantly judged production, which will set your pulse racing, and linger long in the memory.
Matthew Lunn
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REVIEW: Right Now, Bush Theatre ✭✭✭✭
A Freudian wet dream, the characters drink, dance and dare each other on further with party games and peculiar eroticism.
Helena Payne
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REVIEW: Jackie The Musical, Churchill Theatre (UK Tour) ✭✭✭✭
Dig out your seventies fashions, grab your friends and book your tickets for two hours of absolute joy in the theatre. You’ll be glad you did.
Douglas Mayo
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REVIEW: Hairspray, New Victoria Theatre Woking (UK Tour) ✭✭✭✭✭
Whilst Hairspray has a serious message of integration and understanding, it’s ultimately a musical full of joy and love, and those emotions poured off the stage thanks to this extremely talented cast.
Douglas Mayo
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REVIEW: Living With The Lights On, Young Vic ✭✭✭✭✭
Living With The Lights On, Mark Lockyer's brutally honest and searingly candid journey from promising actor at the RSC to meltdown, and subsequent path back to a life in balance, is an extraordinary piece of work and an imperative contribution to the theatrical landscape for anyone whose life has been touched by mental illness.
Helena Payne
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REVIEW: Something Something Lazarus, King's Head Theatre ✭✭✭✭
Something Something Lazarus is something unusual, something unique, and bodes well for the future of musical theatre in the UK.
Douglas Mayo
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REVIEW: The Painkiller, Garrick Theatre ✭✭✭✭
Kenneth Branagh puts in a surprising masterclass in physical comedy as Ralph, getting big laughs despite spending most of the play unable to speak. He is, as expected, excellent at playing the silky smooth secret agent but his movement and timing is also exceptional and he deploys razor sharp comic timing.
Danny Coleman-Cooke
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EXCLUSIVE - Stevie Wonder in Hyde Park - Pre-Sale Opens at 9am Today
Douglas Mayo
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REVIEW: Tell Me On A Sunday, Richmond Theatre (UK Tour) ✭✭✭✭
In this production Prenger brings the honesty home in droves, forgoing vocal gymnastics and powerhouse divaisms to deliver emotional truth. It’s a daunting task for any performer to walk onto a stage and carry a good 70 minutes alone. Tonight, Prenger walked on and certainly showed herself to be a formidable musical theatre force.
Douglas Mayo
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REVIEW: Fiddler On The Roof, Broadway Cast Recording 2016 ✭✭✭✭✭
Musical Director Ted Sperling propels his orchestra of 22 (YES 22!) and cast through Bock's score never allowing it to drag. For as Fiddler is all about life so is this cast recording.
Douglas Mayo
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FIRST LOOK: Miss Atomic Bomb at St James Theatre - Production Shots
Douglas Mayo
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REVIEW: Bad Girls, Union Theatre ✭✭✭✭
Not knowing the musical I went in expecting a camp night at the theatre, but what I got was a show full of memorable characters with some great music and real heart.
Douglas Mayo
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REVIEW: Luce, Southwark Playhouse ✭✭✭✭
Luce is a fresh and interesting take on American extremism in the 9/11 era. Full of intrigue and tension, it offers a thought provoking night out.
Danny Coleman-Cooke
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Ian McKellen and Patrick Stewart Tour The UK In Pinter's No Man's Land
Douglas Mayo
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Carrie Hope Fletcher and Shaun Williamson join The Cast of Chitty Chitty Bang Bang On Tour.
Douglas Mayo
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REVIEW: End Of The Rainbow, Churchill Theatre Bromley (on Tour) ✭✭✭✭✭
Lisa Maxwell plays Judy. It’s a performance that melds a mass of contradictions and a roller-coaster of emotions into a raw, convincing and utterly compelling performance. On-stage for most of the evening, Maxwell is astonishing.
Douglas Mayo
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REVIEW: Cyrano De Bergerac, Southwark Playhouse ✭✭✭
Kathryn Hunter is a magnificent lead, and manages to add gravitas to this breezy production. Having played Lear and Richard III, she can transcend gender with ease and masters Cyrano’s debonair masculinity.
Jessica Wretlind
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Critical revivals and London transfers for King’s Head Theatre spring season
Emily Hardy
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HighTide and Arcola Theatre present The Sugar-Coated Bullets of the Bourgeoisie
Emily Hardy
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REVIEW: Motown The Musical, Shaftesbury Theatre ✭✭✭✭✭
Motown breaks free of the normally constraints of a jukebox musical. It is a joyous, exuberant celebration of life, of challenge and ultimately of success.
Douglas Mayo
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Thom Southerland Appointed Artistic Director of Charing Cross Theatre
Douglas Mayo
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Little Shop of Horrors UK Tour
Little Shop Of Horrors, the charming, kooky and hilarious 1950s musical sci-fi spoof will tour the UK.
Douglas Mayo
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Five Reasons To See: The Curious Incident of the Dog in the Night-Time
Emily Hardy
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REVIEW: Merit, Finborough Theatre ✭✭✭
Merit at The Finborough by Alexandra Wood explores the unravelling relationship between a mother and daughter during the financial crash in 2013 Spain. A fast paced two-hander, the play confronts the morality of ambition, the nature of altruism and how success affects our responsibilities to family and friends.
Helena Payne
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REVIEW: Blood Brothers, Churchill Theatre (UK Tour) ✭✭✭✭
Blood Brothers is an all time classic, with a thrilling story and an atmospheric score. It is showing a few signs of wear and tear but some superb performances mean the tour is a must-see.
Danny Coleman-Cooke
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REVIEW: Janis Joplin - Full Tilt, Theatre Royal Stratford East ✭✭✭
Jessica Wretlind
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REVIEW: Firebird, Trafalgar Studios 2 ✭✭✭✭✭
Firebird deals with pertinent weighty issues of race, class and child exploitation, but the writing shines with Phil Davies' dark humour. It is punchy and savage, it's stark grimy set underscored with intrusive dubstep during the scene changes. See this play for the three performances of the small cast, who possess an unbridled and searing energy that shakes you to the core.
Helena Payne
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REVIEW: In The Night Time Before The Sun Rises, Gate Theatre ✭✭✭
There is promise in this piece. The hallucinatory nature of exhaustion allows the tired pair to swerve through time and space, offering a great basis for metaphysical conversation. Much similar yet not as gripping as Duncan MacMillan’s LUNGS, Segal poses the question: ‘Should they ever have brought this child into such a wounded world?’
Jessica Wretlind
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Also on at The Vaults: Eggs by Florence Keith-Roach 24 February to 6 March
Emily Hardy
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REVIEW: A Steady Rain, Arcola Theatre ✭✭✭✭
Wrought with gun violence, this leaves you long pondering not only the effects of police power but their predicament long after the play is over. Sterling stuff.
Layla Haidrani
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Obama-ology writer returns to the Finborough with Don’t Smoke in Bed
Emily Hardy
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Baz Luhrmann’s Strictly Ballroom to cha cha into the UK for Christmas 2016
Emily Hardy
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BIG INTERVIEW: Willy Russell and Bill Kenwright on Blood Brothers
Editorial Staff
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REVIEW: Julie Atherton, Crazy Coqs ✭✭✭✭
Julie Atherton is a true musical talent and this cabaret evening provides a brilliant opportunity for her to demonstrate this. It’s running for a few more days, and is guaranteed to deliver a laid-back and entertaining evening.
Danny Coleman-Cooke
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REVIEW: The Last Tango, New Wimbledon Theatre (UK Tour) ✭✭✭✭
It’s a shame this will be their last theatre production, but with The Last Tango, Vincent and Flavia have delivered a finale that will be remembered for a long time to come.
Douglas Mayo
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REVIEW: Hand To God, Vaudevile Theatre ✭✭✭✭
Hand to God is a soul-cleansing experience - gleefully unburdening its audience of their suppressed hysteria, and leaving them to guiltily head for confession (or the theatre bar) to wash away their sins.
Emily Hardy
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REVIEW: Whistleblower, Waterloo East Theatre ✭✭✭
Whistleblower is often a flawed production, but gives an educational and exciting look at the life of one of the 21st century’s most controversial figures. The biggest compliment I can give it is that it had me thinking, debating and researching for hours afterwards; and isn’t that what theatre is all about?
Danny Coleman-Cooke
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REVIEW: Nell Gwynn, Apollo Theatre ✭✭✭
If you don’t mind it light, hammy and reminiscent of a drunk uncle, Nell Gwynn is fabulously entertaining. There’s a natty onstage band, snappy songs and even a lesson in the art of fan flirtation.
Emily Hardy
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REVIEW: Road Show, Union Theatre ✭✭✭
Stephen Sondheim is, without question, one of the greatest living lyricists, and his contributions to musical theatre will be revered for decades to come. Sadly, Road Show is not one of his finer efforts, although The Union Theatre’s inventive and solidly performed production makes for an enjoyable night at the theatre, if you leave your disbelief at the door.
Matthew Lunn
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REVIEW: The Perfect Murder, Churchill Theatre (UK Tour) ✭✭✭✭
What surprised me was that whilst I was expecting a murder thriller, I got a good measure of some wonderful humour and like most of the audience found myself laughing out loud at some of the most macabre situations in the play
Douglas Mayo
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REVIEW: Red Velvet, Garrick Theatre ✭✭✭
Red Velvet touches on a number of very difficult subjects regarding race, and does so in a compelling and thoughtful manner. The play is generally well written – with a number of excellent touches - and this production contains a host of fine performances, not least Adrian Lester as Ira Aldridge. Nevertheless, Aldridge is an incomplete protagonist, and too many aspects of his life are told to us, rather than shown. This means that, in spite of the play’s many strong qualities, it cannot achieve its full dramatic potential.
Matthew Lunn
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Callie Cooke, Tahirah Sharif and Phaldut Sharma star in Firebird transfer
Emily Hardy
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REVIEW: Weald, Finborough Theatre ✭✭✭✭
Weald is a very satisfying play, a compelling examination of the impact that changing circumstances may have on our sense of self. This is achieved via the developing character arcs of two men at very different stages in their lives, yet both shaped by doubts about their future. The two excellent central performances, coupled with Daniel Foxsmith’s intelligent script, makes for an enriching theatrical experience.
Matthew Lunn
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REVIEW: I Loved Lucy, Jermyn Street Theatre ✭✭✭
Lucille Ball once said about comedy, ‘you’ve either got it or you don’t’, but this amusing production falls somewhere in between. It is heavy on laughs and quips but may need a more streamlined script to become loved rather than liked.
Danny Coleman-Cooke
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Rehearsal Images: Jeff Wayne's Musical Version Of The War Of The Worlds
Douglas Mayo
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Aria Entertainment and Hope Mill Theatre, Manchester announce major collaboration…and a string of musicals
Emily Hardy
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Michael Crawford Returns To The West End In The Go-Between - On Sale Now
Douglas Mayo
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FIRST LOOK: Rehearsal Photos For The UK Tour Of Chitty Chitty Bang Bang
Douglas Mayo
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New Cast Announced as Jersey Boys Celebrates 8th Birthday in London
Douglas Mayo
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Arrows & Traps Theatre Company bring Tolstoy’s Anna Karenina to life
Emily Hardy
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REVIEW: One Of Those, Tristan Bates Theatre ✭✭
As the lives from one carriage merge with the other, the play descends into farce and the promise to bring new understanding is lost.
Jessica Wretlind
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REVIEW: Yen, Royal Court Theatre ✭✭✭✭✭
Her characters are abundantly flawed while still empathetic, and their relationship with the modern world is a marriage of dark comedy and struggle. Her plays are hugely important. See for yourself.
Jessica Wretlind
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REVIEW: Hangmen, Wyndham's Theatre ✭✭✭✭✭
If you can trust anyone to execute a black comedy, it’s Martin McDonagh. The Irish playwright is an undoubted master of the genre, with an enviable back catalogue which includes The Pillowman, The Cripple of Inishmaan, The Lieutenant of Inishmore and In Bruges. Hangmen is a worthy addition to his collection, offering a fascinating insight into the dark absurdities of a death-fixated culture
Matthew Lunn
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English premiere of Jo Clifford’s acclaimed Every One at Battersea Arts Centre
Emily Hardy
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REVIEW: Alright Bitches!, Above The Stag ✭✭✭✭
Director Andrew Beckett keeps the pace lively and ultimately makes Alright Bitches!, a sunny antidote to the bleak winter here in the UK.
Douglas Mayo
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REVIEW: The Oliviers In Concert, Royal Festival Hall ✭✭✭✭
Over the past forty years, the Olivier Awards has marked the cream of London’s artistic talent. This anniversary concert brought together some showstopping stars, past and present, to provide a fitting tribute to the capital’s musical theatre.
Danny Coleman-Cooke
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REVIEW: Seasons Of Larson, Apollo Theatre ✭✭✭✭
They took firm hold of Larson’s lyrics and crescendoing rock melodies - every word, every beat, brimming with anger and exigency; his lyrics carry imperative messages that couldn’t be swallowed passively by Larson’s audiences, and capture a sense of urgency characteristic of a life lost too soon.
Emily Hardy
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REVIEW: Five Finger Exercise, The Print Room At The Coronet ✭✭✭✭
For as long as there are families, this poignant script will resonate with them. The music plays somewhat apologetically from offstage, but despite that, it is a near perfect restoration that does justice to its stunning location at The Print Room Coronet.
Jessica Wretlind
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REVIEW: Shrek, New Wimbledon Theatre (UK Tour) ✭✭✭✭
Shrek is a great show for adults and children alike, but hurry it won’t be around for much longer. More’s the pity!
Douglas Mayo
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REVIEW: The Lion King, Lyceum Theatre ✭✭✭✭✭
As the lights go down, and Rafiki begins summoning the animals to Pride Rock, it becomes obvious that Director Julie Taymor has created the greatest opening for any musical EVER! You can’t help but get goosebumps on your goosebumps as The Circle Of Life transports you to the African heartlands. There is an amazing majesty in the staging of this number that I doubt will be equalled any time soon.
Douglas Mayo
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REVIEW: Private Lives, Churchill Theatre Bromley (On Tour) ✭✭✭
However, while the pace of the comedy occasionally dips in the second half, this production of Coward's play is a gem, proving the enduring relevance of Private Lives and its ability to delight contemporary audiences.
Layla Haidrani
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New style of ‘broken’ musical premieres at the King's Head in March
Emily Hardy
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Does oral sex constitute adultery? NotMoses, ‘a comedy of biblical proportions’, has the answer
Emily Hardy
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Eastenders’ Jamie Foreman to join the West End cast of new British Musical
Emily Hardy
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REVIEW: 4000 Days, Park Theatre ✭✭✭
Peter Quilter’s script is spiced with sarcasm and bouts of wit that get loud laughs from the audience, however the comedy perches awkwardly on the edge of big themes that remain undercooked.
Jessica Wretlind
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REVIEW: Daddy Long Legs, Off Broadway Cast Recording ✭✭✭✭
I have had four listens to Daddy Long Legs as I write this review and find that I’m discovering more and more from this romantic comedy as I go along. This is surely a sign that the musical should prove fresh to audiences who go back for a second or third viewing and that’s a good thing.
Douglas Mayo
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Cast announced for Right Now by Catherine-Anne Toupin at the Bush Theatre
Emily Hardy
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REVIEW: Be More Chill - Original Off Broadway Cast Recording ✭✭✭✭
Be More Chill is a show with some epic musical moments. Iconis has written some of the greatest pop musical theatre songs I’ve heard in a long time. Be More Chill is full of infectious melodies, well crafted hooks and some great musical theatre characters.
Douglas Mayo
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The Father Transfers To The Duke Of York's Theatre For 5 Week Season
Douglas Mayo
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What have Playdays, End of the Rainbow and Finsbury Park all got in common?
Emily Hardy
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Final Names Announced For Seasons Of Larson
Anton Stephans and Noel Sullivan are to join the previously announced Debbie Kurup, Krysten Cummings and Damien Flood - all previous cast members of Larson’s hit rock musical Rent.
Emily Hardy
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Audra McDonald Brings Lady Day At Emerson's Bar And Grill To West End
Following an award-winning, sell out run on Broadway, Audtra McDonald will make her West End debut in Lady Day At Emerson's Bar And Grill playing jazz legend Billie Holliday.
Douglas Mayo
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REVIEW: Thrill Me, Jermyn Street Theatre ✭✭✭✭
If you’re able to get over the eyebrow raising subject matter, Thrill Me can offer one of the most unusual and visceral theatrical experiences around. Disturbing but oddly moving and entrancing, it offers a unique look into the nature of evil and crime. Worth a visit, if only for a story to tell!
Danny Coleman-Cooke
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REVIEW: Grey Gardens, Southwark Playhouse ✭✭✭✭✭
You will be hard pressed to see a better production of this musical. The casting of Grey Gardens is near perfect. Southwark Playhouse is building a strong reputation for presenting wonderful modern musicals and like some of their previous productions this one is sure to sell out so don’t miss it.
Douglas Mayo
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REVIEW: Guys And Dolls, Savoy Theatre ✭✭✭✭✭
During a cold and drizzly January, this new revival of Guys and Dolls offers a much-needed tonic of energy, happiness and fun. It is a show that is guaranteed to leave you smiling or humming the infectious score – catch it while you can!
Danny Coleman-Cooke
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Award winning Pipeline theatre take Kindertransport play on UK tour
Emily Hardy
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REVIEW: Dinosaur Park, St James Studio ✭✭✭✭
Superbolt Theatre’s production is fast paced and pure theatrical magic. Imagination is everything in this production driven by a trio of incredible actors.
Douglas Mayo
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