The latest theatre news, West End reviews, show guides, and behind-the-scenes features from British Theatre's editorial team.
The audience on press night - with as many face-painted adults as children – loved it all. If you are looking for a reliable night out at the theatre with the full repertory of musical theatre technique on display then you will not be disappointed.
Tim Hochstrasser
News & Reviews
Showing 24 of 49 articles
News
What pleasure the play offers comes in the characters Hare has carved from fragments of history. Roger Allam, almost unrecognisable as John Christie, does a …
Stephen Collins
News & Reviews
News
Stephen Collins
News & Reviews
News
O’Neill’s play has lost none of its power or resonance. It still feels as shocking and new today as no doubt it did in 1922. Jones’ revelatory and evocative …
Stephen Collins
News & Reviews
News
Cabnet's clear and perceptive direction is sound for the most part, and there is an emphasis on visual aspects of the production which make it something spec…
Stephen Collins
News & Reviews
News
There are many ways to read the play, but the most obvious is probably correct. Sylvia is a metaphor for a trophy girlfriend; she is someone Greg can use to …
Stephen Collins
News & Reviews
News
Despite some rough edges this was a continually thoughtful and engaging production that is targeted very deftly at those coming to the play for the first tim…
Tim Hochstrasser
News & Reviews
News
Hare's adaptation, the best of the three in the Season, is crisp, charming and comical, thereby magnifying the effect of the more tragic aspects. It's a mark…
Stephen Collins
News & Reviews
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Evocations of famous films can tip over into parody or unintended comedy very easily but thanks to the skill of the writing and the carefully graded, fully i…
Tim Hochstrasser
News & Reviews
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Michael Riedel is to be congratulated on this great history of Broadway. It’s a riveting read for any fan of musical theatre on the Great White Way. It bring…
Douglas Mayo
News & Reviews
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There was a charming mix of reverence and irreverence as well, making the audience feel specially entertained and complicit with the in-jokes. The warm up pr…
Stephen Collins
News & Reviews
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Another sumptuous production of a superb Hare adaptation of an unwieldy and slightly schizophrenic early Chekhov work, made just that much more glorious by a…
Stephen Collins
News & Reviews
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Titus Andronicus is not one of Shakespeare’s finest plays, but Arrow and Traps’ Theatre Company do a splendid job with their adrenaline fuelled, and often ni…
Matthew Lunn
News & Reviews
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Mark Jagasia not only fails to carry that stick, but it’s too heavy for him to pick up in the first place. “Clarion,” now playing at the Arcola, is the broad…
Editorial Staff
News & Reviews
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Honesty, as David Hare points out, is the dominating theme of Ivanov. It is also the dominating principle adopted by Jonathan Kent as the guiding light for h…
Stephen Collins
News & Reviews
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Biopics are not easy to get right, however despite two sterling efforts at The White Bear, neither of them really hit the mark. Whilst it will no doubt be of…
Danny Coleman-Cooke
News & Reviews
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There are two ways in which Karam's work steps up to the mark: the dialogue is believable and genuine, splendidly touching in places; the narrative is uncomp…
Stephen Collins
News & Reviews
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Director Brandon Force and movement director Liam Steward-George deserve great credit for creating such a dynamic and detailed production with continual visu…
Tim Hochstrasser
News & Reviews
