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Fourteen Again to Make London Premiere at Menier Chocolate Factory
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News17 September 2026·7 min read·1,536 words

Fourteen Again to Make London Premiere at Menier Chocolate Factory

Fourteen Again makes its London premiere at the Menier Chocolate Factory from 21 Nov 2026, with Victoria Wood's score and Ria Jones and Sally Ann Triplett returning.

fourteen againmenier chocolate factoryvictoria woodlondon premiereria jonessally ann triplett
Fourteen Again at the Menier Chocolate Factory London premiere
Fourteen Again prepares for its London premiere at the Menier Chocolate Factory.

Fourteen Again is heading for a London premiere at the Menier Chocolate Factory, bringing Victoria Wood’s musical about friendship, memory and midlife comedy into the capital after a sell-out spring at Bowness-on-Windermere. Previews begin on 21 November 2026, the production opens on 2 December 2026, and the season runs through to 27 February 2027, with no performances on 24–26 December 2026 or 1 January 2027.

Music and lyrics are by Victoria Wood, with book and additional lyrics by Tom MacRae, whose credits include Everybody’s Talking About Jamie. Jonathan O’Boyle directs. Ria Jones and Sally Ann Triplett reprise their roles as Lou and Peggy from the world premiere, with Jayne Ashley covering both leading parts.

From Windermere sell-out to Southwark stage

The musical first opened at the Victoria Wood Theatre in Bowness-on-Windermere in spring 2026 and sold out its run. That venue was renamed to mark the tenth anniversary of Wood’s death, and the piece was commissioned by Charlotte Scott and Roger Glossop. Moving Fourteen Again to the Menier Chocolate Factory is a natural next step: an intimate London house with a track record for sharp musicals and character-led storytelling, and a South Bank audience that already knows how to queue for something with heart and bite.

The Menier sits on O’Meara Street in SE1, a short walk from London Bridge. For a show that thrives on close observation of ordinary lives, the venue’s scale matters. Fourteen Again is not a stadium spectacle. It is a chamber musical built on friendship, looking back, and the awkward comedy of trying to reinvent yourself when life has already left fingerprints all over the plan. London premiere status at this address should help the piece find the audience that discovered Wood’s voice on television and stage, and a younger crowd drawn by MacRae’s book craft and O’Boyle’s clean, contemporary staging.

That journey from the Lakes to London also underlines how carefully the project has been stewarded. A commissioned premiere in a theatre named for Wood is one kind of tribute. A London premiere that keeps the original leading pair, the same director’s sensibility, and a creative team steeped in musical theatre craft is another: less museum piece, more living show with room to grow in a new room.

What Fourteen Again is about

Recently divorced Peggy reconnects with her childhood friend Lou and begins looking back at their teenage years. Then she wakes up aged fourteen again. To recover her present, she has to work out which mistakes from the past she needs to put right.

Wood’s music and lyrics give the evening its melodic fingerprint: observational, warm, and never sentimental for long. MacRae’s book and additional lyrics shape the dramatic spine, keeping the friendship front and centre while letting the jokes land without sanding off the ache underneath. Slimming-club rituals, school-friend shorthand, and the private negotiations of middle age are all fair game. The result, on the evidence of the Bowness premiere, is a musical that laughs with its characters rather than at them, and that trusts an audience to recognise both the punchline and the bruise.

Age guidance is 14+, and the running time is around two hours including an interval. That makes Fourteen Again accessible for older teenagers and adults who want a night out with substance as well as song. It is not a children’s show, but neither is it locked behind a forbidding adult-only gate. The material’s honesty about bodies, memory and desire sits comfortably inside that guidance, and the Menier’s auditorium should help every lyric and aside reach the back row without strain.

Ria Jones and Sally Ann Triplett in Fourteen Again
Ria Jones (Lou) and Sally Ann Triplett (Peggy) reprise their roles from the Bowness world premiere.

Cast returning from the world premiere

Ria Jones stars as Lou and Sally Ann Triplett as Peggy, both returning from the Victoria Wood Theatre premiere. Continuity of casting is a gift for a two-hander-led friendship story: the rapport already built in Bowness travels with them to London, and audiences who missed the Lakes run get a second chance to see the pair who shaped the roles. Jayne Ashley covers Peggy and Lou, a practical and artistically significant assignment in a piece that leans so heavily on those two voices and that on-stage chemistry.

Further company members for the Menier season will be of interest as casting continues to firm up, but the headline is already clear: the friendship at the heart of Fourteen Again arrives in London with its original Lou and Peggy intact. For a musical about looking back, that continuity is more than a casting footnote. It is part of the production’s identity.

Creative team behind the London premiere

Jonathan O’Boyle directs the London premiere, reuniting with a piece he has already guided through its first public life. Musical supervision is by Nigel Lilley, with choreography by Sammy Murray. Roger Glossop designs the set, Caroline Hughes the costumes, Jason Taylor the lighting, and Sam Glossop the sound. Archie McMorran is musical director. It is a team that understands how to serve a score without smothering the book, and how to keep movement and design in conversation with Wood’s particular brand of wit.

Tom MacRae, whose work includes Everybody’s Talking About Jamie, has written the book and additional lyrics. The score features songs by Victoria Wood.

Fourteen Again creative company at the Menier Chocolate Factory
Jonathan O’Boyle directs the Victoria Wood musical with book and additional lyrics by Tom MacRae.

Dates, run and age guidance

Previews at the Menier Chocolate Factory start on 21 November 2026. Opening night is 2 December 2026. The advertised run continues to 27 February 2027. There are no performances on 24–26 December 2026 or on 1 January 2027, so festive and New Year planning should factor those dark nights in from the start. The show lasts approximately two hours including an interval, with an age guidance of 14+.

Those dates place Fourteen Again firmly in the winter London theatre calendar: post-pantomime for some, a thoughtful alternative for others, and a strong midweek or weekend option for anyone who wants a new musical with a clear authorial voice. Because the Menier’s capacity is modest by West End megamusical standards, popular preview and Christmas-adjacent weeks may tighten sooner than casual browsers expect. The exclusion of Christmas Eve through Boxing Day and New Year’s Day is standard seasonal practice, but it does compress the available December inventory, another reason to plan early if those weeks matter to you.

For visitors new to the venue, the Menier Chocolate Factory on O’Meara Street, SE1, remains one of London’s most distinctive producing houses: a converted chocolate factory with a reputation for transfers and for nurturing work that later finds a larger life. Fourteen Again arrives as a London premiere rather than a transfer of a long West End run, which is part of its appeal. You are seeing the show establish its capital foothold, not catching a late extension of an already familiar hit.

Tickets and Menier booking

Tickets for Fourteen Again at the Menier Chocolate Factory are on sale now. Choose a performance between 21 November 2026 and 27 February 2027 and check the seating plan before booking.

Because the Menier’s capacity is modest, popular preview weeks and Christmas-adjacent performances can tighten sooner than casual browsers expect. Planning early for those windows is wise, especially if you need a cluster of seats together.

Why this London premiere matters

Victoria Wood’s writing still occupies a rare place in British culture: funny without cruelty, specific without being niche, and emotionally literate about the lives of women who are not forever twenty-five. A new musical carrying her music and lyrics into a London premiere, especially one commissioned around the tenth anniversary of her death, is more than a diary note for musical-theatre completists. It is a chance for a fresh audience to meet that voice in a form built for a dark room and a live band.

Ria Jones and Sally Ann Triplett return as Lou and Peggy, with Jonathan O’Boyle directing. If you missed the Bowness-on-Windermere run, the Menier season offers a chance to see the original leading pair in London.

For theatregoers deciding whether to make the trip to O’Meara Street this winter, the proposition is straightforward. Fourteen Again is a Victoria Wood musical with a Tom MacRae book, directed by Jonathan O’Boyle, starring Ria Jones and Sally Ann Triplett as Lou and Peggy, covering by Jayne Ashley, playing the Menier Chocolate Factory from late November 2026 into February 2027. It is a London premiere with public tickets already on sale at the venue, a clear age guidance of 14+, and a running time of about two hours including an interval. If friendship stories with comedy and pain are your idea of a good night out, this is one to put in the diary now, via the Menier.

Expect a winter of word of mouth if the Bowness response is any guide. Intimate musicals that land tend to do so because audiences feel seen. Fourteen Again is built on that promise: two friends, a slimming club, a look backwards, and the stubborn hope that it is not too late to feel fourteen again, if only for a couple of hours in SE1.

Daphne, West End Correspondent at British Theatre
Daphne

West End Correspondent

Daphne covers West End news for British Theatre: openings, casting, extensions and on-sale alerts across London's major theatres.

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