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About the show
That Man is currently listed as an ended production in the British Theatre archive.
That Man is preserved in the British Theatre archive as a historical production.
Verified archive references place the production at Hippodrome Casino.
British Theatre coverage for this title is dated 21 September 2016.
Cancellation policy: theatre tickets cannot be cancelled, exchanged, or refunded once purchased.
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Editorial Staff
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Review
REVIEW: Ink, Almeida Theatre ✭✭✭
While everyone should enjoy Ink, I am sure that many people who are more discerning than I am will find it spectacular.
Matthew Lunn
News & Reviews
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REVIEW: That Man, Hippodrome Casino ✭✭✭✭
If anyone loves the music of Caro Emerald, then they’ll love this feast of her songs presented in a dramatic context. If anyone does not know her music, or has yet to be persuaded of its merits, then they will be enchanted by the delicious performances given by a cast of 10 in this production, supported by a smart 4-piece band and MD Iain Vince-Gatt.
Julian Eaves
News & Reviews
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REVIEW: Close To You, London Cast Recording ✭✭✭✭✭
Close To You is a stunning recording that takes me back to what for me was a very special night in the theatre. I daresay it will be played with frightening regularity here, and I hope that many of you will get a copy and have a listen to Kyle Riabko's wonderous reimagining of one of the greatest songwriter's of our time. Bravo!
Douglas Mayo
News & Reviews
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REVIEW: Nobody's Business, Kings Head Theatre ✭✭✭
Part Felicity Kendall, part Carol Channing, with just a soupçon of Jo Grant (The Doctor Who companion she first played about forty five years ago) and legs that most 30 year olds would kill for, Manning is a revelation. Watching her in this fatuous nonsense makes you pine to see her Judith Bliss, Miss Prism or Mistress Quickly: the potential that Manning has available to be mined is vast. There is something both astoundingly individual and comfortingly familiar about her: she soothes, inspires and captivates.
Stephen Collins
News & Reviews
News
REVIEW: McQueen, Theatre Royal Haymarket ✭✭✭✭
The play triumphantly uncovers and re-asserts McQueen’s credo that design is at its best an act of love of the person – a summing up of who that man or woman was, is and may become – and therefore lies, paradoxically, in the mind as much as purely in the visual sense. It was for this reason that Alexander McQueen chose the Shakespeare line that heads this review to wear as a tattoo – a blazon for his time, and – surely – for all our times.
Tim Hochstrasser
News & Reviews
Show ended
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That Man