Churchill Theatre
19th October
4 Stars
Book Tickets
The Full Monty is one of British cinema’s most surprising ever smash hits. The gritty yet touching story became a box office sensation, beating Titanic to a BAFTA and even picking up an Oscar for its soundtrack.
So it’s no surprise that the production is still touring after a West End run two years ago. The story is a familiar one; amongst the backdrop of stark unemployment and depression, six unemployed Sheffield men all witness the enthusiasm for a touring troupe of Chippendales. They all decide to come together and overcome their pride and personal struggles to form their very own strip act.
Despite the script’s intrinsic humour, The Full Monty still remains an extremely sweet story capable of extraordinary depth. Despite the stoic Northern humour that lies throughout, it draws on some serious and hard-hitting themes, including suicide, depression and gender equality.
Martin Miller, Gary Lucy, Louise Emerick, Bobby Schofield, Rupert Hill, and Andrew Dunn in The Full Monty. Photo: Matt Crockett
It is also portrays male insecurities better than most productions, whether it’s Gaz’s inability to provide for his son, Dave’s issues over his weight or Lomper’s confusion over his sexuality. There is also some deft political subtext through the slightly snobbish Gerald, who is hiding his unemployment to keep up appearances. Having said that some of the play’s Conservative jokes died a death, perhaps not a surprise in Bromley, a Tory safe seat!
The script is clearly a winner so then how was the staging? The show has lost none of its impact from being on stage, thanks to Robert Jones’ evocative and versatile set design. This multi-layered structure continuously evolves, from capturing the grease and grime of the steelworks before slowly morphing into a cheap and cheerful working mens’ club.
The scene changes are fluid and the show uses its highly decorated soundtrack sparingly; perhaps deciding that the musical version of the production failed for a reason!
Rupert Hill and Bobby Schofield in The Full Monty. Photo: Matt Crockett
The show is very well acted, with a particularly good turn from Martin Miller as Dave, combining biting wit with a sensitive portrayal of a man struggling with his self-confidence. Andrew Dunn is also convincing as Gerald, a Tory falling on tough times; the scene where his wife confronts him about his portrayal is particularly sad. Credit should also go to Bobby Schofield as Lomper, an eccentric former steel worker struggling with his homosexuality; Schofield offers a wonderfully oddball portrayal of a very unusual young man.
Gary Lucy is a curious casting choice as Gaz; in the film he is a reasonably rugged and unpolished character, whereas the former teen heartthrob Lucy looks like he could have walked into the Chippendales. His accent also isn’t quite the full monty, getting lost somewhere around the Pennines. However, there is a likeable charm to him and his chemistry between Gaz and his son Nathan (Brook Exley) is very sweet.
The Full Monty is a masterclass of British writing and its energy and sensitivity transfers smoothly to the stage. It’s raucous and crude but also a lot of fun – if it’s touring in your area then it’s well worth a visit.
FIND OUT MORE INFORMATION ABOUT THE FULL MONTY ON TOUR HERE
Danny Coleman-Cooke is an experienced writer, who covers news, sport and comedy for high-profile personalities and broadcasters. His speeches and scripts can be seen on stage, on primetime TV and in Parliament, broadcast to wide and diverse audiences. His experience includes writing for the BBC’s Have I Got News for You, Channel 4’s Paralympics coverage, and the Premier League’s live match commentary. He has also managed social media accounts for a number of major brands, including Tesco, The Guardian and the BBC. He's also a well-established speechwriter, scriptwriter and copywriter and has written for a wide range of famous faces in the world of politics and entertainment. He recently had his first theatrical credit, as co-writer of a musical adaptation of Beowulf, which toured the Midlands and was performed at the Royal Albert Hall. Danny is a huge theatre fan and was part of the writing team for the 2015 and 2016 Olivier Awards.
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