Mark Ludmon reviews Zinnie Harris’s Meet Me At Dawn at London’s Arcola Theatre
Jessica Hardwick and Marianne Oldham in Meet Me At Dawn. Meet Me At Dawn
Arcola Theatre, London
Three stars
Book Tickets
The myth of Orpheus and Eurydice has long fascinated writers. There is something very real about a grief-stricken man desperately trying to find a way to the afterlife to bring back his dead wife. It was (loosely) the inspiration for Tennessee Williams’s Orpheus Descending, which ran at Mold’s Theatr Clwyd and London’s Menier Chocolate Factory this year, and the story at the heart of award-winning musical Hadestown. Zinnie Harris has drawn on her interest in the story for her touching short play Meet Me At Dawn which, after premiering at Edinburgh’s Traverse Theatre in 2017, has come to London in a new production directed by Murat Daltaban.
Marianne Oldham
Two women, Helen and Robyn, find themselves washed up on a deserted sandbank after a boating accident. They seek a way off the island but, as is often the case with islands, all is not what it seems. It soon emerges that one of them is dead and the other, broken by grief like Orpheus, has found a way to spend one last day with her partner. The play explores not only loss and bereavement but ponders what we would do if we had a chance to be reunited with a lover or relative who has died suddenly. Would it be a blessing or a nightmare?
Jessica Hardwick
Beautifully written with two strong performances by Marianne Oldham and Jessica Hardwick, Meet Me At Dawn touchingly reveals the bonds that underpin the couple’s relationship but, in bringing them together, it stops short of fully extracting the pain of their separation. However, it features insights into the experience of bereavement in a way that left at least one member of the audience heart-broken on the night I saw it. The staging is stunning, with a colour-shifting backdrop, designed by Daltaban with lighting designer Cem Yılmazer, complemented with the aching beauty of Oğuz Kaplangı’s musical soundscape. At 60 minutes, it is an unsentimental and intelligent dissection of loss which, through its evocative conjuring up of a mythic world, ends up tackling the agony of bereavement from a distance.
Running to 9 November 2019
Photos: Lidia Crisafulli
Mark Ludmon has been a journalist for over 20 years, specialising in writing about theatre and the arts as well as bars, pubs and drink. He has been on the theatre judging panel for London’s Olivier Awards and has a masters degree in English literature, specialising in Elizabethan and Jacobean drama. He has an MA in theatre research, criticism and dramaturgy from the University of London’s Royal Central School of Speech & Drama. You can find him tweeting about theatre as @MarkLudmon and writing about theatre at markludmon.com.
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