ニュース速報
REVIEW: Bindweed, Mercury Theatre Colchester✭✭✭✭✭
掲載日
2024年6月20日
作成者
pauldavies
Paul T Davies reviews Martha Loader's play Bindweed at the Mercury Theatre Colchester.
The company of Bindweed. Photo: Will Green Bindweed
Mercury Theatre
18 June 2024
5 Stars
A course that four men convicted of domestic abuse offences have to attend weekly, or risk jail or being denied access to their children. Facilitating the group is Jen, moving into social work from the Met, where a distressing domestic murder caused her to have a breakdown. Now she wants to break the circle, to stop the men reoffending. Martha Loader’s outstanding play brings the men and their lives to sharp life, and in the hands of a less skilled playwright, the men could have appeared one dimensional. But the more than two-year development of the play and tremendous research has created an extraordinary, visceral experience, that makes you feel sympathy for all, despite the horrific acts they have committed.
Laura Hanna and Josie Brightwell. Photo: Will Green.
A perfect script meets a perfect cast, this is an excellent ensemble. Laura Hanna is perfect as Jen, showing us the vulnerability as well as her strength, growing as she takes the men on their “journey”, (the play lampoons buzz words brilliantly.) The opening monologue, with its natural rhythms, showcases Loader’s ear for dialogue and realism, draws us in, superbly performed by Sean Kingsley, Brian appears to be “frightenedly normal”, and Moray Treadwell convinces as vicar Frank, who has beaten his wife for forty years but still believes in God’s plan. As Peter, Jen’s disturbing date, and also doubling as Charlie, youngest member of the group, Shailan Gohil brings sensitivity to the role, and Simon Darwen is simply outstanding as sarcastic Mike, the disrupter, who then becomes a firm ally of Jen’s. The beauty of the script and performances is that the layers are peeled away, and we discover these men have experienced violence and have had it presented as a normal way of handling rage. Josie Brightwell keeps us focussed on the women, playing a variety of roles with great stage presence.
Laura Hanna, Shailan Gohil and Simon Darwen. Photo: Will Green
It's all brought together by the perfect pacing of director Jennifer Tang, who allows the play to breathe as we hold our breath, and the set by Lulu Tam uses the studio space to its maximum, chairs, the most domestic of items, in chaos hang over the proceedings. It’s a tough watch, but the humour is sharp, even gallows sharp, and explodes at just the right moments, and the play does end with an offer of hope. Winner of the Bruntwood Judges Awaed for New Writing, I believe Loader has written a modern-day classic, and I hope it has further life beyond it’s planned runs at the New Wolsey, Ipswich, and the Arcola, London.
© BRITISHTHEATRE.COM 1999-2024 全著作権所有。
BritishTheatre.comのウェブサイトは、イギリスの豊かで多様な演劇文化を祝うために作られました。私たちの使命は、最新のUKシアターニュース、ウェストエンドのレビューや、地域の劇場とロンドンの劇場チケットに関する洞察を提供し、愛好家が最大のウェストエンドミュージカルから最先端のフリンジシアターまで最新情報を得ることができるようにすることです。私たちは、あらゆる形態の舞台芸術を促進し、育成することに情熱を注いでいます。
演劇の精神は生き続け、BritishTheatre.comは、シアター愛好家にタイムリーで信頼性の高いニュースと情報を提供する最前線にいます。私たちの専任の演劇ジャーナリストと批評家のチームは、あらゆる公演やイベントを精力的に取り上げ、最新のレビューにアクセスしたり見逃せない公演のロンドン劇場チケットを予約したりするのを簡単にします。