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32 Earlham Street, WC2H 9HU

剑桥剧院

4.7 · 5.9k Google reviewsBox office open · closes 7:15pm

剑桥剧院(Cambridge Theatre)是伦敦的一座剧院场馆,曾在 British Theatre 上介绍过。来这里之前,不妨先了解即将上演的剧目、实用的场馆指南,以及订票小贴士。 剑桥剧院建于1929至1930年间。作为对当时音乐厅与电影院风潮的一种回应,剧院内部装饰刻意选用以呼应20世纪20年代德国表现主义(German Expressionism)的美学风格。剑桥剧院的演出史上常见相对较短的驻演期,通常只持续一年,有时甚至短至两个月。 近代较长的驻演中,最具争议的要数《杰瑞·斯普林格——歌剧》(Jerry Springer – The Opera)。这部音乐剧由理查德·托马斯(Richard Thomas)与喜剧演员斯图尔特·李(Stewart Lee)创作,引发巨大反响与广泛争议,并遭到部分基督教团体多次抗议。该剧在此连演两年。 2005年,长演不衰的《芝加哥》(Chicago)从阿德尔菲剧院(Adelphi Theatre)转入剑桥剧院,在此驻演五年后再转至加里克剧院(Garrick Theatre)。目前,剑桥剧院上演的是英国皇家莎士比亚剧团(RSC)的《玛蒂尔达》(Matilda the Musical),由喜剧音乐人蒂姆·明钦(Tim Minchin)创作。 《玛蒂尔达》音乐剧(2011年11月24日-)《芝加哥》(2006年4月27日-2011年8月27日)《街头起舞》(2005年7月19日-2006年4月22日)《邪恶将至》(2005年6月2日-2005年7月2日)《杰瑞·斯普林格:歌剧》(2003年10月14日-2005年2月19日)《我们的家》(2002年10月28日-2003年8月16日)《名扬四海》(2001年9月20日-2002年8月31日)《美丽的比赛》(2000年9月26日-2001年9月1日)《火球》(1999年10月6日-1999年12月18日)《油脂》(1996年10月24日-1999年9月11日) 皇家莎士比亚公司屡获殊荣的音乐剧在剑桥剧院将罗尔德·达尔深受喜爱的故事栩栩如生。由丹尼斯·凯利执笔,蒂姆·明钦创作的原创歌曲,《玛蒂尔达》颂扬了想象力的力量和坚持正义的重要性。该剧赢得了七项奥利弗奖,包括最佳新音乐剧奖。

Photos via Google. Attributions: Cambridge Theatre, Andrew Lee, Trevor Tinsley, Aiman Farooq

Capacity

Around 1,250 (three levels)

Current attached shows

1

Google rating

4.7 ★ (5.9k)

Venue info

剑桥剧院(Cambridge Theatre)是伦敦的一座剧院场馆,曾在 British Theatre 上介绍过。来这里之前,不妨先了解即将上演的剧目、实用的场馆指南,以及订票小贴士。

剑桥剧院建于1929至1930年间。作为对当时音乐厅与电影院风潮的一种回应,剧院内部装饰刻意选用以呼应20世纪20年代德国表现主义(German Expressionism)的美学风格。剑桥剧院的演出史上常见相对较短的驻演期,通常只持续一年,有时甚至短至两个月。 近代较长的驻演中,最具争议的要数《杰瑞·斯普林格——歌剧》(Jerry Springer – The Opera)。这部音乐剧由理查德·托马斯(Richard Thomas)与喜剧演员斯图尔特·李(Stewart Lee)创作,引发巨大反响与广泛争议,并遭到部分基督教团体多次抗议。该剧在此连演两年。 2005年,长演不衰的《芝加哥》(Chicago)从阿德尔菲剧院(Adelphi Theatre)转入剑桥剧院,在此驻演五年后再转至加里克剧院(Garrick Theatre)。目前,剑桥剧院上演的是英国皇家莎士比亚剧团(RSC)的《玛蒂尔达》(Matilda the Musical),由喜剧音乐人蒂姆·明钦(Tim Minchin)创作。

《玛蒂尔达》音乐剧(2011年11月24日-)《芝加哥》(2006年4月27日-2011年8月27日)《街头起舞》(2005年7月19日-2006年4月22日)《邪恶将至》(2005年6月2日-2005年7月2日)《杰瑞·斯普林格:歌剧》(2003年10月14日-2005年2月19日)《我们的家》(2002年10月28日-2003年8月16日)《名扬四海》(2001年9月20日-2002年8月31日)《美丽的比赛》(2000年9月26日-2001年9月1日)《火球》(1999年10月6日-1999年12月18日)《油脂》(1996年10月24日-1999年9月11日)

皇家莎士比亚公司屡获殊荣的音乐剧在剑桥剧院将罗尔德·达尔深受喜爱的故事栩栩如生。由丹尼斯·凯利执笔,蒂姆·明钦创作的原创歌曲,《玛蒂尔达》颂扬了想象力的力量和坚持正义的重要性。该剧赢得了七项奥利弗奖,包括最佳新音乐剧奖。

History

The Cambridge Theatre was built in 1929-30. In a reaction to the music halls and cinemas of the time, the interior décor was selected to reflect the style of the 1920s German expressionist movement. Productions at the Cambridge Theatre have been characterised by relatively short runs, lasting just a year or sometimes as short as two months.

Longer runs in modern times have included controversial piece Jerry Springer – The Opera, a musical written by Richard Thomas and comedian Stewart Lee, which caused great outcry and led to several protests from the Christian community. The show ran for two years.

In 2005, the long running show Chicago transferred from the Adelphi Theatre and remained in the Cambridge for five years before moving to the Garrick. The theatre is currently host to the RSC’s Matilda the Musical, written by comedian Tim Minchin.

Past performances

Matilda the Musical (24 November 2011 -)
Chicago (27 April 2006 - 27 August 2011)
Dancing in the Streets (19 July 2005 - 22 April 2006)
Something Wicked this Way Comes (2 June 2005 - 2 July 2005)
Jerry Springer - The Opera (14 October 2003 - 19 February 2005)
Our House (28 October 2002 - 16 August 2003)
Fame (20 September 2001 - 31 August 2002)
The Beautiful Game (26 September 2000 - 1 September 2001)
Great Balls of Fire (6 October 1999 - 18 December 1999)
Grease (24 October 1996 - 11 September 1999)


Box office hours

Box office open · closes 7:15pm

  • Monday: 10:00 AM – 7:15 PM
  • Tuesday: 10:00 AM – 7:15 PM
  • Wednesday: 10:00 AM – 7:15 PM
  • Thursday: 10:00 AM – 7:15 PM
  • Friday: 10:00 AM – 7:15 PM
  • Saturday: 10:00 AM – 7:45 PM
  • Sunday: 10:00 AM – 3:15 PM

These are the box office (ticket desk) hours supplied by Google. The theatre itself opens around 45 minutes before curtain-up — always check your ticket for the performance start time. You can book online any time through British Theatre.

Transport

Tube

Covent Garden, Leicester Square

Train

Charing Cross

Bus

1, 14, 19, 22, 29, 34, 55, 176

Parking

NCP Shelton Street, Chinatown, Trafalgar (Q Park Scheme)

Seating plan and where to sit

The single best place to sit at the Cambridge Theatre is the centre of the Stalls, roughly the front to middle rows, where the low stage keeps you close to the action without craning your neck. If you would rather take in the whole picture, the front-centre of the Dress Circle gives a clean head-on view. The theatre holds around 1,250 across three levels: the Stalls, the Dress Circle and the Upper Circle.

LevelBest forWorth knowing
StallsCloseness and immersion, especially centre rows a few back from the frontGenerous legroom and a low stage. The very front sides can lose edge action, more so as the Matilda set extends into the auditorium.
Dress CircleA balanced, head-on view of the full stage from the front-centre rowsFront rows give the best perspective. Rear rows have tighter legroom and a front safety rail, plus rails around the stairwells.
Upper CircleThe best value in the house, particularly the second and third rows near the centreThe front feels closer than in many theatres. The rake is steep and the far rear and side seats can be restricted by rails and the Art Deco ceiling line.

Best seats at the Cambridge Theatre

For Matilda the Musical, aim for the centre of the Stalls a few rows back from the front, where the low stage and the set that reaches into the auditorium put you right in the middle of the action. If you prefer height and a complete view of the choreography, the front-centre of the Dress Circle, around rows B and C, is the sweet spot for both the show and the room itself.

Seats to check before you book

True restricted views are limited and sit mostly at the rear of the Upper Circle. The final rows carry a front safety rail, and the seats flanking the stairwells have additional rails, which is why they are among the cheapest in the venue. The steep rake at the very back can also mean heads in front intrude, and the Art Deco ceiling can clip the top of the stage from the highest seats. In the Dress Circle, the rear rows sit behind a safety rail with less legroom, and in the Stalls the extreme front sides can miss action played out at the edges.

Best value

The strongest value is the Upper Circle, especially the second or third row as close to centre as you can get, which keeps you square to the stage for a fraction of the Stalls price. Under-25s can often pick up heavily discounted day seats, and the rear of the Dress Circle offers a solid middle-ground view at a gentler price. If you are not sure which level suits you, our West End seating guide explains how the levels compare. Compare live prices and seat availability across every section at Matilda the Musical.

Cambridge Theatre seating plan

Accessibility

Wheelchair Access

Two spaces for wheelchair users and transfer seats are available

Are there adapted toilets?

An adapted toilet is available in the stalls corridor

Assisted Performances

Are there facilities for the hard-of-hearing?

There is an infrared system working throughout the auditorium with both loop and conventional headsets.

Are guide dogs and/or hearing dogs permitted?

Access dogs are allowed inside the auditorium. Staff can also dog-sit for four dogs per performance in the Manager’s office.

Please contact the theatre directly for further information.

Shows currently at this venue

Full what's-on listing for 剑桥剧院

Previous productions

What visitors say

5.0· 2 months ago
I recently went to see Matilda The Musical, and it was absolutely extraordinary. I genuinely enjoyed every single second of it. The children on stage were simply outstanding. Their acting, singing, and energy were beyond impressive, especially given their age. Each child brought so much personality and precision to their role that it was impossible not to be completely immersed in the story. Their timing, expressions, and confidence made the performance feel incredibly professional and emotionally engaging. The staging and set design were equally remarkable. The sets are creative, dynamic, and visually stunning, constantly evolving to match the rhythm and emotion of the story. Combined with clever choreography and playful details, the whole production felt alive and magical. Every scene transition was seamless, keeping the audience fully engaged from start to finish. What really stood out to me was how complete the show felt, the music, the humour, the emotion, the visuals, and the performances all worked together perfectly. It’s one of those rare shows that makes you smile, laugh, and feel genuinely moved, regardless of your age. Overall, Matilda The Musical is an exceptional production: joyful, powerful, and beautifully executed. A truly unforgettable theatre experience that I would recommend without hesitation.
— Miss R
4.0· 2 months ago
I bought this as a gift for my sisters birthday. We watched the show today and we did enjoy it - however we like others we could not understand the Matilda actress much. The first half of the show we did find boring, but the second half was much more enjoyable. Felt quite restricted in the seats too not much room but that can’t be helped. Well done to all the cast especially the children and Mrs Trunchball! It was a good show to see one time however I would not go back and see it again like other west end musicals.
— Frankie
1.0· a month ago
This may ruin Matilda for you, but the children rarely sing! They are accompanied by backing tracks on every song and the children just dance rather than sing. I found the Ms Trunch character offensive. Why is this character played by a man? Are evil woman always old, obese, unattractive and manly? However, the heroine, Ms Honey, is young, slim and beautiful? Is this really the message you want to give your kids? Stay away from ugly people but attractive people are ok? And the body microphones were poor. I couldn't understand about a third of what was said. I would skip this 'musical'.
— Seth Palmer
5.0· 3 months ago
Matilda the Musical was a wonderful experience for both the children and us as parents. Time simply flew by, and we didn’t realise how quickly it passed. It is an outstandingly well-produced and highly enjoyable musical, full of energy, talent and charm. 👏
— Bilge Bilge

Reviews sourced from Google Maps.

Live venue listings

REVIEW: Matilda - May 2017, Cambridge Theatre ✭✭✭✭

11 May 2017

View listing

Nearby venues

Frequently asked questions

Where are the best seats at the Cambridge Theatre?

The best seats are in the centre of the Stalls, a few rows back from the front, where the low stage keeps you close without craning your neck. For a full head-on view of the whole stage, the front-centre of the Dress Circle around rows B and C is the sweet spot.

Which seats have a restricted view at the Cambridge Theatre?

Restricted views are mostly at the rear of the Upper Circle, where the final rows have a front safety rail and the seats beside the stairwells have extra rails. The steep rake and the Art Deco ceiling can also affect the highest seats, and the rear of the Dress Circle sits behind a safety rail with tighter legroom.

How many seats does the Cambridge Theatre have?

The Cambridge Theatre holds around 1,250 seats across three levels. These are roughly 497 in the Stalls, 295 in the Dress Circle and 443 in the Upper Circle.

Is there step-free or accessible seating at the Cambridge Theatre?

Yes, there is step-free access to the Stalls via an alternative entrance on Earlham Street, with two wheelchair spaces in the Stalls and aisle transfer seats that can be arranged in advance. The Dress Circle and Upper Circle are reached by stairs only, so book access seating ahead through the venue's access team.

What is the best value section for Matilda the Musical?

The Upper Circle offers the best value, particularly the second or third row as near to the centre as possible, which keeps you square to the stage for far less than the Stalls. Under-25s can often find heavily discounted day seats, and the rear of the Dress Circle is a good middle-ground option.

What's on at 剑桥剧院?

The current production at 剑桥剧院 is Matilda The Musical. Browse and book tickets directly through British Theatre.

What's the nearest tube station to 剑桥剧院?

The nearest tube station is Covent Garden, Leicester Square.

Where is 剑桥剧院?

剑桥剧院 is located at 32 Earlham Street, WC2H 9HU.

How can I contact 剑桥剧院?

You can call 剑桥剧院 on 020 3925 2998. For tickets and bookings, please use British Theatre to secure the best seats.

What are the box office hours at 剑桥剧院?

The 剑桥剧院 box office (ticket desk) operates: Monday: 10:00 AM – 7:15 PM; Tuesday: 10:00 AM – 7:15 PM; Wednesday: 10:00 AM – 7:15 PM; Thursday: 10:00 AM – 7:15 PM; Friday: 10:00 AM – 7:15 PM; Saturday: 10:00 AM – 7:45 PM; Sunday: 10:00 AM – 3:15 PM. Right now the box office is open · closes 7:15pm. The theatre itself opens around 45 minutes before curtain-up — and you can book online any time through British Theatre.

Is 剑桥剧院 accessible?

剑桥剧院 offers wheelchair-accessible entrance, wheelchair-accessible seating, wheelchair-accessible toilets. Please contact the venue directly if you have specific access requirements.

How big is 剑桥剧院?

剑桥剧院 has a capacity of Around 1,250 (three levels) — small enough to feel intimate but large enough to host major productions.