BritishTheatre

Suche

Seit 1999

Vertraute Nachrichten & Rezensionen

25

Jahre

Das Beste des britischen Theaters

Offizielle
Tickets

Wählen Sie
Ihre Sitze aus

Seit 1999

25 Jahre

Offizielle Tickets

Plätze auswählen

REVIEW: The Importance Of Being Earnest, Mercury Theatre ✭✭✭

Veröffentlicht am

11. März 2024

Von

pauldavies

Paul T Davies reviews The Importance of Being Earnest by Oscar Wilde at the Mercury Theatre Colchester.

Photo: Pamela Raith The Importance of Being Earnest.

Mercury Theatre, Colchester.

7 March 2024

3 Stars

Mercury Theatre Website

Very few plays deserve the moniker ‘timeless’, but it’s certainly true of Oscar Wilde’s witty comedy of manners. So many lines sparkle with class observations that you can often miss the next while the audience laugh. Ryan McBryde’s gorgeous production at the Mercury wisely doesn’t try to reinvent the wheel, but updates it to the 1950s. Overall, with the characters and situation remaining intact, the update doesn’t really add anything except the wonderful set and costume design from Katie Lias. And the cast play it loud, with every witty line emphasised strongly, whereas I think the trick of Wilde is often throwing away the line, casually, because it’s part of everyday conversation.

Photo: Pamela Raith

The cast relish the opportunity to play the comedy. Richard David-Caine as Jack and Mateo Oxley as Algernon combine their superb physical skills to create a joyous double act, their scenes and squabbles are a show highlight.

Photo: Pamela Raith

The scene between Cecily, (Claire Lee Shenfield), and Gwendoline, (Harrie Hayes), in which they politely quarrel over, (they think), the same man, is a wonder of barely contained catfighting, though they could still push the politeness further, and show strength through remaining rock steady still. Martin Miller hilariously barely contains the inner emotions of Rev Canon Chausible, Elizabeth Bower scene-stealing as Miss Prism- in a fantastic wig- and Susannah Van Den Berg has a ball in the servant roles of Lane and Merriman. Of course, Lady Bracknell is the character that casts a long shadow, thanks to Edith Evans’ film portrayal, and Gillian Bevan pounds out the vowels, almost making us want to join in on “a handbag”, but I felt wasn’t as dominant as the part could be.

Photo: Pamela Raith

In fact, the production would fly even more if the actors stopped sign posting so many funny lines and punchlines and relaxed into Wilde’s dialogue. But it’s an enjoyable evening, and the way Wilde plots everything towards the final line, which the audience joined in with, is an absolute joy.

Die BritishTheatre.com Website wurde geschaffen, um die reiche und vielfältige Theaterkultur des Vereinigten Königreichs zu feiern. Unser Ziel ist es, die neuesten Nachrichten aus dem UK-Theater, West End-Rezensionen und Einblicke sowohl in das regionale Theater als auch in Londoner Theaterkarten bereitzustellen, damit Begeisterte stets auf dem Laufenden bleiben, von den größten West End Musicals bis hin zu avantgardistischem Fringe-Theater. Wir sind leidenschaftlich daran interessiert, die darstellenden Künste in all ihren Formen zu fördern und zu unterstützen.

Der Geist des Theaters lebt und blüht, und BritishTheatre.com steht an der Spitze, um den Theaterliebhabern rechtzeitige und autoritative Nachrichten und Informationen zu liefern. Unser engagiertes Team von Theaterjournalisten und Kritikern arbeitet unermüdlich daran, jede Produktion und jedes Event zu behandeln, sodass Sie einfach auf die neuesten Rezensionen zugreifen und Londoner Theaterkarten für Must-See-Shows buchen können.

THEATER-NACHRICHTEN

KARTEN

THEATER-NACHRICHTEN

KARTEN