Oliver!
Gielgud Theatre
da £25
Venue
Shaftesbury Ave, W1D 6AR
Il Gielgud Theatre è un teatro di Londra presente su British Theatre. Scoprite gli spettacoli in arrivo, informazioni pratiche sul teatro e consigli per prenotare i biglietti prima della vostra visita. Il Teatro Gielgud, originariamente chiamato Hicks Theatre, aperto il 27 dicembre 1906, ha visto le sue prime due produzioni, i musical The Beauty of Bath e My Darling, entrambi scritti da Seymour Hicks, a cui il teatro era intitolato. Quando la moglie di Hicks mancò a diverse rappresentazioni di The Dashing Little Duke (1909) a causa di malattia, egli stesso entrò nel ruolo personalmente. Nello stesso anno, Charles Frohman divenne il gestore unico del teatro e lo ribattezzò rapidamente Globe Theatre. Lady Randolph Churchill (la madre di Winston Churchill) scrisse la produzione di riapertura, His Borrowed Plumes. I due decenni successivi furono costellati di produzioni di successo come Fallen Angels nel 1925, Call It a Day nel 1935 (che ebbe 509 rappresentazioni), e la produzione di John Gielgud de L'Importanza di Essere Franco nel 1938 (in cui Gielgud sia recitò che diresse). La successiva produzione di Gielgud, The Lady’s Not for Burning di Christopher Fry, ebbe una prima di successo nel 1949, successo seguito nei decenni successivi da Un Uomo per Tutte le Stagioni (1960, anche il debutto sul palco), C'è Una Ragazza nella Mia Zuppa (1966, con 1.064 repliche) e Daisy Pulls it Off (1983, 1.180 rappresentazioni, il più lungo spettacolo del teatro). Con l'apertura del Globe di Shakespeare sul South Bank, il teatro fu rinominato Gielgud Theatre nel 1994, sia in onore del contributo dell'attore, sia per evitare confusione pubblica sul titolo di due simili luoghi. Un ampio rinnovo ebbe luogo tra il 2007 e il 2008. Spirito allegro (2014)Delitto per delitto (2014)Vite private, The Audience, Delitto per delitto (2013)Momenti di gloria (2012)Les Parapluies de Cherbourg, Prestami un tenore, The Ladykillers (2011)Hair, Sì, Primo Ministro (2010)Enjoy, Avenue Q (2009)Stagione Gilbert and Sullivan, Il dio del massacro, Sei personaggi in cerca d’autore (2008)Equus, Macbeth, Nicholas Nickleby (2007)Il crogiuolo, I racconti di Canterbury, Frost/Nixon (2006)Don Carlos, Alcune ragazze, E poi non rimase nessuno (2005)Tutto è bene quel che finisce bene, Qualcuno volò sul nido del cuculo (2004)Dimmi che è domenica (2003) NCP Wardour Street, NCP Newport Place, NCP Denman Street, NCP Lexington Street. Chinatown, Soho (Schema Q Park) Ingresso e posti a sedere accessibili con sedia a rotelle disponibili SPETTACOLI ASSISTITI:Ci sono strutture per ipoacusici? C'è un sistema a infrarossi che funziona in tutto l'auditorium con cuffie convenzionali. I cani d'assistenza sono ammessi all'interno dell'auditorium. Il personale può anche occuparsi dei cani. Si prega di contattare direttamente il teatro per ulteriori informazioni. La spettacolare nuova produzione di Cameron Mackintosh del celebre musical di Lionel Bart torna nel West End al Gielgud Theatre, diretta e coreografata da Matthew Bourne. Prenota i biglietti per Oliver!, lo spettacolo che la critica definisce 'trionfante' e 'imperdibile'. Sii il primo ad accedere ai migliori biglietti, alle offerte esclusive e alle ultime novità sul West End. Puoi annullare l'iscrizione in qualsiasi momento. Politica sulla privacy
Photos via Google. Attributions: Jacques Poudrier, Vasiliki Menegatou, Kenny Chau, Mario Yanyov
Capacity
Just under 1,000 (three levels)
Current attached shows
1
Google rating
4.7 ★ (4.6k)
Il Gielgud Theatre è un teatro di Londra presente su British Theatre. Scoprite gli spettacoli in arrivo, informazioni pratiche sul teatro e consigli per prenotare i biglietti prima della vostra visita.
Il Teatro Gielgud, originariamente chiamato Hicks Theatre, aperto il 27 dicembre 1906, ha visto le sue prime due produzioni, i musical The Beauty of Bath e My Darling, entrambi scritti da Seymour Hicks, a cui il teatro era intitolato. Quando la moglie di Hicks mancò a diverse rappresentazioni di The Dashing Little Duke (1909) a causa di malattia, egli stesso entrò nel ruolo personalmente. Nello stesso anno, Charles Frohman divenne il gestore unico del teatro e lo ribattezzò rapidamente Globe Theatre. Lady Randolph Churchill (la madre di Winston Churchill) scrisse la produzione di riapertura, His Borrowed Plumes. I due decenni successivi furono costellati di produzioni di successo come Fallen Angels nel 1925, Call It a Day nel 1935 (che ebbe 509 rappresentazioni), e la produzione di John Gielgud de L'Importanza di Essere Franco nel 1938 (in cui Gielgud sia recitò che diresse). La successiva produzione di Gielgud, The Lady’s Not for Burning di Christopher Fry, ebbe una prima di successo nel 1949, successo seguito nei decenni successivi da Un Uomo per Tutte le Stagioni (1960, anche il debutto sul palco), C'è Una Ragazza nella Mia Zuppa (1966, con 1.064 repliche) e Daisy Pulls it Off (1983, 1.180 rappresentazioni, il più lungo spettacolo del teatro). Con l'apertura del Globe di Shakespeare sul South Bank, il teatro fu rinominato Gielgud Theatre nel 1994, sia in onore del contributo dell'attore, sia per evitare confusione pubblica sul titolo di due simili luoghi. Un ampio rinnovo ebbe luogo tra il 2007 e il 2008.
Spirito allegro (2014)Delitto per delitto (2014)Vite private, The Audience, Delitto per delitto (2013)Momenti di gloria (2012)Les Parapluies de Cherbourg, Prestami un tenore, The Ladykillers (2011)Hair, Sì, Primo Ministro (2010)Enjoy, Avenue Q (2009)Stagione Gilbert and Sullivan, Il dio del massacro, Sei personaggi in cerca d’autore (2008)Equus, Macbeth, Nicholas Nickleby (2007)Il crogiuolo, I racconti di Canterbury, Frost/Nixon (2006)Don Carlos, Alcune ragazze, E poi non rimase nessuno (2005)Tutto è bene quel che finisce bene, Qualcuno volò sul nido del cuculo (2004)Dimmi che è domenica (2003)
NCP Wardour Street, NCP Newport Place, NCP Denman Street, NCP Lexington Street. Chinatown, Soho (Schema Q Park)
Ingresso e posti a sedere accessibili con sedia a rotelle disponibili
SPETTACOLI ASSISTITI:Ci sono strutture per ipoacusici?
C'è un sistema a infrarossi che funziona in tutto l'auditorium con cuffie convenzionali.
I cani d'assistenza sono ammessi all'interno dell'auditorium. Il personale può anche occuparsi dei cani.
Si prega di contattare direttamente il teatro per ulteriori informazioni.
La spettacolare nuova produzione di Cameron Mackintosh del celebre musical di Lionel Bart torna nel West End al Gielgud Theatre, diretta e coreografata da Matthew Bourne. Prenota i biglietti per Oliver!, lo spettacolo che la critica definisce 'trionfante' e 'imperdibile'.
Sii il primo ad accedere ai migliori biglietti, alle offerte esclusive e alle ultime novità sul West End.
Puoi annullare l'iscrizione in qualsiasi momento. Politica sulla privacy
The Gielgud Theatre, originally called the Hicks Theatre, opened on 27 December 1906. It’s first two productions, the musicals The Beauty of Bath and My Darling, were both written by Seymour Hicks, who the theatre was named after. When Hick’s wife missed several performances of The Dashing Little Duke (1909) due to illness, he stepped into the role personally.
In that same year, Charles Frohman became sole manager of theatre and quickly renamed it the Globe Theatre. Lady Randolph Churchill (Winston Churchill’s mother) wrote the reopening production, His Borrowed Plumes. The next two decades were peppered with successful productions such as Fallen Angels in 1925, Call It a Day in 1935 (which ran for 509 performances), and John Gielgud’s production of The Importance of Being Earnest in 1938 (in which Gielgud both starred and directed).
Gielgud’s next production, Christopher Fry’s The Lady’s Not for Burning, has a successful premiere in 1949, and that success was followed up in the next decades with A Man For All Seasons (1960, also its stage premiere), There’s a Girl in My Soup (1966, ran for 1,064) and Daisy Pulls it Off (1983, 1,180 performance, the theatre’s longest run).
With the opening of Shakespeare’s Globe on the South Bank, the theatre was renamed the Gielgud Theatre in 1994, both in honor of the actor’s contribution, and to avoid public confusion over two similar venue titles. An extensive refurbishment took place between 2007-8.
Blithe Spirit (2014)
Strangers On A Train (2014)
Private Lives, The Audience, Strangers on a Train (2013)
Chariots of Fire (2012)
The Umbrellas of Cherbourg, Lend Me a Tenor, The Ladykillers (2011)
Hair, Yes Prime Minister (2010)
Enjoy, Avenue Q (2009)
Gilbert and Sullivan Season, God of Carnage, Six Characters in Search of an Author (2008)
Equus, Macbeth, Nicholas Nickleby (2007)
The Crucible, The Canterbury Tales, Frost/Nixon (2006)
Don Carlos, Some Girls, And Then There Were None (2005)
All’s Well That Ends Well, One Flew Over the Cuckoo’s Nest (2004)
Tell Me on a Sunday (2003)
Box office closed · opens 4:30pm
These are the box office (ticket desk) hours supplied by Google. The theatre itself opens around 45 minutes before curtain-up — always check your ticket for the performance start time. You can book online any time through British Theatre.
Tube
Piccadilly Circus, Leicester Square
Train
Charing Cross
Bus
14, 19, 38
Parking
NCP Wardour Street, NCP Newport Place, NCP Denman Street, NCP Lexington Street. Chinatown, Soho (Q Park Scheme)
For the best all-round view at the Gielgud Theatre, aim for the centre of the Stalls, roughly the middle rows, where the rake and sightlines are strongest. If you want to be closer to the stage, the front and centre of the Stalls puts you right in the action, while the centre of the Dress Circle gives a cleaner elevated view of the whole stage. The theatre holds just under 1,000 across three levels: the Stalls, the Dress Circle and the Grand Circle.
| Level | Best for | Worth knowing |
|---|---|---|
| Stalls | Overall best views, close to the stage | Centre rows are the sweet spot. Front rows sit low against a raised stage, and the Dress Circle overhang clips the top of the stage from the rear rows. |
| Dress Circle | A clean, elevated head-on view from the centre | The curve of the circle means seats towards the ends of the front rows are angled and can be restricted. |
| Grand Circle | Best value, decent views from the front | You are higher and further back. A safety bar runs across the front and can clip the view from the first few rows, and seats at the far ends of rows are side-on to the stage. |
For Oliver!, the centre of the Stalls is hard to beat, giving you a full, level view of the ensemble numbers and the staging without craning. The centre of the Dress Circle is the strong alternative, lifting you just enough to take in the whole picture while staying close to the action.
The Dress Circle curves quite tightly, so seats towards the far ends of the front rows sit side-on to the stage and lose part of the view. In the rear of the Stalls, the Dress Circle overhang is low and can cut off the top of the stage. On the Grand Circle, a safety bar runs across the front and can clip the view from the first few rows, and seats at the far ends of the rows are angled side-on to the stage, so read a seat view before choosing them.
The Grand Circle is where the value sits. You are further from the stage and higher up, but the front rows of this level still give a solid view for noticeably less than the Stalls or Dress Circle. If you are not sure which level suits you, our West End seating guide explains how the levels compare. Compare live prices and seat availability across every section at Oliver!.

Wheelchair accessible entrance and seats available
Are there adapted toilets?
An adapted toilet is available in the foyer.
Are there facilities for the hard-of-hearing?
There is an infrared system working throughout the auditorium with conventional headsets.
Are guide dogs and/or hearing dogs permitted?
Access dogs are allowed inside the auditorium. Staff can also dog-sit.
Please contact the theatre directly for further information.
Fantastic. The theatre is absolutely beautiful, only small but perfect. We went to see Oliver which was incredible. The cast were absolutely amazing. What a superb production. This was our first visit to this particular theatre and it didn't disappoint. It's history is amazing and when you sit a look around, then think of all the wonderful people that have trod them boards it was an honour to sit and see the talent and dedication of the people on that stage. Going to the theatre gives an experience that nothing else gets close to. This performance will hook you for ever, so it's a must to visit.
The Gielgud Theatre looks great from the outside and even better on the inside. Pretty much all of the seating gives an adequately good view with most of it giving a great view because of its design. The stage was larger than normal which had to be to put on such a show as Oliver. The Acoustics from the orchestra was amazing. Plenty of bars and toilets to accommodate such a wide audience.
I went to see Oliver and this musical was amazing! The decor was incredible and they had their own orchestra ! The actors were really good even more the children actors ! I greatly recommend seeing this play if you go to london!
Fantastic Theatre. Warm welcome into a bright and historic theatre. Had a box with private room and butler... All very reasonable too all considered, money wise. Saw Oliver! Top show.
Reviews sourced from Google Maps.
The best seats are in the centre of the Stalls, around the middle rows, where the rake and sightlines give a full, level view of the stage. The centre of the Dress Circle is the strongest alternative if you prefer an elevated head-on view.
Seats towards the far ends of the front Dress Circle rows are angled and can be restricted by the curve of the circle. The rear of the Stalls sits under a low overhang that can clip the top of the stage. On the Grand Circle, a safety bar across the front can clip the view from the first few rows, and seats at the far ends of the rows are side-on to the stage.
The Gielgud Theatre seats just under 1,000 people, around 986 to 995 depending on the configuration. They are spread across three levels: the Stalls, the Dress Circle and the Grand Circle.
Wheelchair spaces are located in the Dress Circle, with companion seats alongside and a ramp providing level access to the front of that level. Accessing the Stalls and Grand Circle involves stairs, so the Dress Circle is the step-free option, and it is best to contact the box office in advance.
The Grand Circle offers the best value for Oliver!. You are higher up and further back, but the front rows of this level still give a solid view for noticeably less than the Stalls or Dress Circle.
The current production at Teatro Gielgud is Oliver!. Browse and book tickets directly through British Theatre.
The nearest tube station is Piccadilly Circus, Leicester Square.
Teatro Gielgud is located at Shaftesbury Ave, W1D 6AR.
You can call Teatro Gielgud on 0344 482 5151. For tickets and bookings, please use British Theatre to secure the best seats.
The Teatro Gielgud box office (ticket desk) operates: Monday: 4:30 – 7:30 PM; Tuesday: 4:30 – 7:30 PM; Wednesday: 12:30 – 7:30 PM; Thursday: 4:30 – 7:30 PM; Friday: 4:30 – 7:30 PM; Saturday: 12:30 – 7:30 PM; Sunday: Closed. Right now the box office is closed · opens 4:30pm. The theatre itself opens around 45 minutes before curtain-up — and you can book online any time through British Theatre.
Teatro Gielgud offers wheelchair-accessible seating, wheelchair-accessible toilets. Please contact the venue directly if you have specific access requirements.
Teatro Gielgud has a capacity of Just under 1,000 (three levels) — small enough to feel intimate but large enough to host major productions.